Investigation Of The Kirgiz Folk Songs In Tacheng Area Of Xinjiang

Xinjiang Tacheng area has gathered 29 ethnic groups,ethnic composition of the complex and multi ethnic population distribution,so that the people of various nationalities living here followed the national customs and ethnic relations and productive labor in the process of frequent close contact,mutual influence,symbiosis.Tacheng Kirgiz ethnic culture,both in the nation,or the people of all ethnic groups in Tacheng area are not prominent,was placed in a marginalized position.What's more,their ethnic identity is often the local people of Mongolian and Kazak or confused.In the "big,small communities in this environment,strong The under the influence of their traditional culture and customs are preserved,and fusion,is a microcosm of the regional cultural characteristics of multi-cultural integration of the local area.The Tacheng Kirgiz folk culture is not only reflected on the local Kirgiz personality,reflected in the certain degree is in this region of other nationalities the common cultural phenomenon.The local Kirgiz folk songs blended in the form of a reflection of both local Kirgiz ethnic and cultural characteristics,but also in their particular geopolitical relations and social and cultural life of the map.The theoretical basis of this thesis lies in the understanding of the existing way of music and the recognition of Cultural Holism I know.In some literatures and field survey work on the basis of the Tacheng area when the Kirgiz folk culture and local social and cultural life,from the music morphology and culture two aspects,the status of the local folk songs of the Kirgiz,analyze and explain its folk music and cultural characteristics the spiritual connotation.The text consists of four parts,the layout of which is as follows:The first part is the introduction.It mainly introduces the research significance,subject,objective,method,existing research results,and the research orientation and basic framework of this paperThe second part: Chapter 1 and The second chapter.From two aspects of history and current situation of human geography in Tacheng Kirgiz roughly comb,combined with field investigation,concentrated status of folk music life on the stage in Tacheng Kirgiz are described.The third part: the third chapter,the fourth chapter and the fifth chapter.Through the classification of the local folk songs of Kirgiz,carries on the analysis from the music ontology,understanding local Kirgiz folk cultural construction;and with the method of ethnomusicology,their folk culture in their social and cultural life,the cultural foundation the local Kirgiz folk songs,and the cultural function The cultural interpretation of thecharacteristics,understand the local folk songs of the Kirgiz exist.This is the focus of this paper.The fourth part is the conclusion.Both Mongolian folk song style charm of Tacheng Kirgiz folk music culture,and contains the Kazakhstan gene;retains the ancient song elements,native,and into the characteristics of his national culture.They blended cultural phenomenon in folk songs,which reflects not only the hybrid of folk form,but also the crowd in the regional cultural background,the result of a conscious in the social and cultural life in harmony and adaptation.