Intangible cultural heritage is the embodiment of beauty created by the living habits and cultural customs of the population in the long history of human development.Immaterial culture not only has important historical data value for us to understand the life style and spiritual and cultural connotation of our ancestors,but also has great inheritance value when vigorously carrying forward traditional culture today.Intangible cultural heritage documentaries are products of the trend.It gives cameras to intangible cultural heritage and emphasizes how to present the cultural scenes in social and cultural forms.On the one hand,they express humanistic aesthetics in the form of film and television;on the other hand,they spread intangible cultural heritage in the form of documentary,realizing the both of harmony and unity.The creation of intangible cultural heritage documentaries must also rely on narrative skills to ensure the interest and vitality of documentary narration.We can say that the intangible cultural heritage documentary gradually moves towards the public vision,while the narrative skills of intangible cultural heritage documentary make it go further.Based on this,the paper tries to discuss the narrative skills of the intangible cultural heritage documentary <Garba dance>,and explore deeply the narrative pursuit of the intangible cultural heritage documentary in various aspects,so as to explore the selection and application of the narrative skills of the intangible cultural heritage documentary,which has important theoretical significance and practical value.This paper selects the garba dance which the first batch of intangible cultural heritage in Gansu province as the presenting object,and forms a personal work of <Garba dance>.The first chapter gives an overview of the intangible cultural heritage documentary,including its definition and content.The second chapter analyzes several characteristics of intangible cultural heritage documentaries as a whole,including authenticity,integrity and story-telling style.The third chapter makes a brief explanation of the narrative techniques of intangible cultural heritage documentaries from a macro perspective.The fourth chapter analyzes the narrative skills of the works < Garba dance>,inclouding the narrative perspective,narrative structure,narrative techniques,and gives the corresponding thinking with the narrative skills of the works. |