The Reforms,Influences And Limitations Of Chinese Literary Periodicals Since 2014

Since the 18 th National Congress of the Communist Party of China,especially after the speech of General Secretary Xi Jinping at the Cultural and Art Symposium in 2014,China's literary creation has reached the new era.In the new era environment,the primary task for current literary and art work is to prosper and develop the socialist literature and art with Chinese characteristics and create the literary and artistic works worthy of the times and the nation.The content and form of literary creation have also begun to transform.A series of changes have led to the re-transformation of the manuscript orientation and editorial guidelines of literary periodical.In this thesis,the research object is the change of the literary periodicals in this period.The author choses six literary periodicals such as Beijing Literature,October of Beijing region,Tianjin Literature,Fiction Monthly,Original Fiction Monthly of Tianjin region,The Great Wall Hebei region as samples in order to comprehensively observe the status of literary production in Beijing-Tianjin-Hebei region from different perspectives such as the organs publications sponsored by provincial-level literary institutions and the social publications,original literary periodicals and literary selections sponsored by publishing house.This thesis starts with the variations of literary creation content in recent years,teases out the changes of literary periodicals as the carrier of literary creation,and deeply analyzes the influence of these changes take to writers' creation.On the basis of macroscopic and microscopic examinations of the six literary periodicals,this paper summarizes the problems existing in the current literary production modes,and puts forward realistic and targeted opinions and suggestions on the management methods and operation mechanisms of literary periodicals.