Research On Dunhaotang Verification Of Wu Xiansheng

Dunhaotang verification is a book written by Wu Xiansheng all his life,which contains a theory of printing and a large number of seal cutting works,and is an important literature for the study of Wu Xiansheng.His printing theory has its unique argument,which not only advocates the Qin and Han dynasties,but also puts forward the criticism of the seal cutting of the time,which has a great contribution to the later generation,and is more and more concerned by the academic circles.This paper studies the verification of Dunhaotang from four aspects.In the first aspect,this makes a textual research on the textual research of the printed version of Dunhantang,the preface and postscript characters in the seal of Dunhaotang,as well as the comparative textual research between Dunhaotang and Gu xiang in the appendix to Dunhaotang.It is concluded that the theory of printing in Dunhaotang is the most true and reliable;The second aspect is to rearrange and research Wu Xiansheng's "Dunhantang Theory ",and to examine the creative views of the art of composition,Diction,Knife,line and edge,and transition involved in his printing theory from a new perspective.The third aspect studies the origin of Wu Xiansheng's seal cutting art.Through the analysis of the art of Wu's seal cutting,it is concluded that his seal cutting style of Wu's is based on the context of Qin and Han dynasties,with the inscription of Zhong Ding,and showing the trace of the school slightly,and compares He Tong's seal cutting with Wu Xiansheng's.The fourth aspect studies Wu Xiansheng's thought of printing,and obtains its significance and shortcomings.Through the above four aspects of research can be more in-depth and comprehensive interpretation of Wu Xiansheng's "Dunhaotang verification".This paper studies the verification of Dunhaotang from four aspects.In the first aspect,this makes a textual research on the textual research of the printed version of Dunhantang,the preface and postscript characters in the seal of Dunhaotang,as well as the comparative textual research between Dunhaotang and Gu xiang in the appendix to Dunhaotang.It is concluded that the theory of printing in Dunhaotang is the most true and reliable;The second aspect is to rearrange and research Wu Xiansheng's "Dunhantang Theory ",and to examine the creative views of the art of composition,Diction,Knife,line and edge,and transition involved in his printing theory from a new perspective.The third aspect studies the origin of Wu Xiansheng's seal cutting art.Through the analysis of the art of Wu's seal cutting,it is concluded that his seal cutting style of Wu's is based on the context of Qin and Han dynasties,with the inscription of Zhong Ding,and showing the trace of the school slightly,and compares He Tong's seal cutting with Wu Xiansheng's.The fourth aspect studies Wu Xiansheng's thought of printing,and obtains its significance and shortcomings.Through the above four aspects of research can be more in-depth and comprehensive interpretation of Wu Xiansheng's "Dunhaotang verification".