A Research Of "female Writes With Male Voice" In Qing Dynasty

Since the produce of poetry in the Qing Dynasty,it has seemed that the poetry is always the tool for male scholars to express their emotions and feelings.However,"when it came to the Qing Dynasty,the poetry was not only thriving but also innovative.No matter men or women,there are many Ci writers……And women writers have been catching up with men writers." In the history of Ci written in the Qing Dynasty,female writers with male voice occurred in the creation of poetry,which was a prominent phenomenon throughout the Qing Dynasty.And it showed a wonderful continuity.The poetess who produced such fine works,such as Xu Can and Gu Zhenli in the early Qing Dynasty;Xiong Lian,Wu Zao,Gu Chun,Shen Shanbao and so on in the middle of the Qing Dynasty;Lv Bicheng,Qiu Jin and so on in the late Qing Dynasty.Among which,Gu Zhenli,Wu Zao and Qiu Jin were the most typical female poets.This paper has five chapters.The first chapter introduces the grand occasion of the female Ci writers in Qing Dynasty,briefly analyzes the reasons for the boom,combs the histo rical development of "female writers with male voice" and expounds the conditions for their creation of related Ci poems,combined with the living environment of the three female poets.And the second,third and fourth chapters are the key part of the paper.The second chapter focuses on the Qing Dynasty "female writers with male voice" with "Cultural imagination in gender hatred and talent anxiety",Gu Zhenli,Wu Zao and Qiu Jin,though in different periods,but because of dissatisfaction with gender and social roles and derived bear "gender grudge" and "anxiety" to fame.In their poems,they also boldly revealed their strong appeals for social roles and fame.The third chapter mainly discusses the Qing Dynasty "females writers with male voice" with "The feelings of home and country and the expansion of Ci in gender tension",Gu Zhenli,Wu Zao and Qin Jin paid close attenion to the issue of family and state,which were closely related to the major themes of social history.They also put personal experience and emotion into the word,which expanded the scope of female word description.The fourth chapter mainly discusses the Qing Dynasty "female writers with male vocie" with "The combination of firmness and softness and the aesthetic pursuit in rhetoric of duality",and tries to comprehensively interpret the aesthetic characteristics of the "female writers with male voice" of the Qing Dynasty from eight aspects,including emotion,theme,rhetoric,image,style,language.The fifth chapter mainly expounds the relation between "female writers with male voice" and "male writers with female voice" and its literary significance.In a word,Gu Zhenli,Wu Zao and Qiu Jin created Ci with the Style of female writers with male voice by using Ci with different styles,which not only reflects the progress of women,but also reflects the progress of literary.