A Study Of Li Changzhi's Criticism Of The Measurement

" Measurement " is the high-frequency word in Li Changzhi's criticism practice.The criticism of measurement born from "measure" is one of the core concepts of Li Changzhi's literary criticism." The criticism of measurement " is not only the criticism target that Li Changzhi tries to achieve,but also an ideal method of criticism,an appropriate standard of criticism,a typical paradigm of literary criticism.This thesis starts with the concept of "measurement" and discusses the basic connotation of Li Changzhi's criticism.He analyzes the basic connotation of Li Changzhi's "discrimination" from the perspective of Li Changzhi's rational pursuit,emotional appeal and cultural ideal.Li Changzhi's criticism is the unity of reason and emotion,the unity of life and experience,the unity of aesthetics and ethics,the unity of reality and metaphysics,is the unity of art and society,and the unity of form and content..The characteristics of Li Changzhi's criticism are mainly from the perspective of "personalization" and "criticism and philosophy." Li Changzhi's literary criticism has made outstanding contributions in the exploration of individuality.He pays attention to the writer's spiritual temperament and the unique value of his works.Li Changzhi also presents his own personality ideal "completeness" in literary criticism.Li Changzhi's criticism method shows the tendency of the integration of philosophy and literature,which makes literary criticism show a certain metaphysical meaning.Then,it shows the specific appearance of Li Changzhi's criticism.He starts from the biographical criticism and the theoretical construction of his literary history.Li Changzhi's biographies and criticisms are based on the critique of Chinese traditional biographical criticism,combined with Western biocriticism.The method,according to the results of the construction of vernacular literature and the theory of Zhou Zuoren's "civilian literature",finally formed its own characteristics of biography and criticism.Li Changzhi's theory of literary history has also formed a complete system,involving the fundamental nature of literature,the subject orientation of literary history,the sociological and linguistic basis of literary history,and the mandate of literary history.Li Changzhi put forward many valuable ideas on the fundamental issues of literature in the history of literature.Of course,his literary history theory of Li Changzhi also has such problems.For example,the concept of "a literary era with one era" has led him to ignore the achievements of other literary categories in the same era.Finally,the conclusion part reaffirms the basic connotation of Li Changzhi's criticism.Li Changzhi's criticism is a typical personality criticism,which has a great inspiration for us to think about life and criticism,and the relationship between culture and criticism.