Research On The Elegant Assembly In The Jin Garden At The Eleventh Year In Emperor Kangxi's Reign

The Jin-garden elegant meeting is an important literary gathering activity in the Jiangnan area in the early Qing Dynasty.It began in the eleventh year of Emperor Kangxi(1672)when it was completed in the autumn near the park.It lasted for more than three months.The participants included the giants of the Jiangnan paintings,Wang Hui,Da Chongguang and Yun Shouping,as well as literati bureaucrats,collectors and patrons.They created a large number of fine paintings and calligraphy in this essay,and systematically and in-depth discussions on painting theory.This article discusses the near-field collection from four aspects: First,re-examine the location and evolution of the near-field,combined with the life experience and life pursuit of the near-owner Yang Zhaolu,as a middle-lower "sample of literati bureaucrats",Explore the origin and process of the near-garden collection,and then explore the painting and calligraphy life of the ordinary literati bureaucrats who used their garden and art activities to shape their image.Secondly,Wang Wei's "Imitation of Huang Gongwang <Fuchunshanju>" as a starting point in the vicinity of the garden,combined with the examination of his eight prosperous Fuchun,analyzes Wang Hui as a professional painter and painter.The relationship shows the taste preference of the literati collection circle in the early Qing Dynasty.Thirdly,on the basis of combing the artistic activities of Da Chongguang in the near-garden collection and the period before and after,the multiple identities of Da Chongguang are analyzed,and the artistic interest of “Hua Quan” and “painting and calligraphy ” is discussed.Fourth,using letters and paintings as the first-hand materials,discussing the interaction between Yun Shouping,Wang Hui and other painting and calligraphy patrons and intermediaries,as far as possible,the details of the work,life and calligraphy and painting transactions of the professional painters in the early Qing Dynasty.The author hopes to use the garden collection as the main line to discuss the collections of calligraphy and painting and the painting and calligraphy creation activities of the participants of Yang Ji,Yang Zhaolu,Wang Hui,Da Zhongguang and Yun Shouping,and to in-depth study of the Jiangnan literati collection activities and paintings and calligraphy collections in the early Qing Dynasty.Cultural interactions.