The Conception And Practice Of The "Rena Issance" From 1946 To 1949

The Renaissance was founded in January 1946 and finished in August1949.In the past three years,a large number of works reflecting the higher literary achievements in the late 1940 s or representing the new hope of the literary world were published.In previous studies,often associated the Renaissance with Zheng Zhenduo,while Li Jianwu,one of the editors,was neglected.As a matter of fact,Li Jianwu,as the specific person in charge of the editor of Renaissance,on the one hand,he practiced the editing concept of "Renaissance" through the sub-text and the formal text,and on the other hand,he promoted the ideal development of "Renaissance" literature from the aspects of his own creation and criticism.This paper takes Li Jianwu and the Renaissance as the object of study,takes the core concept of the "Renaissance" as the main line throughout,and presents the conception and practice of the ideal of the "Renaissance" from 1946 to 1949 from two aspects of Li Jianwu's editing and creation.The full text is divided into three parts:introduction,text,and conclusion.The introduction mainly sorts out the research status of Renaissance,elaborates and explains the reason for the topic selection and research significance of this paper,and proposes the research ideas,research methods and innovation points of this paper.The main body is divided into five chapters:The first chapter of "the Renaissance" comb and define the concept of "the Renaissance",combing the European "Renaissance" in different periods of Chinese literary discourse,from the late Qing dynasty to "May 4th",to the 1940 s,"Renaissance" after "revival of the ancient science","renewable","traditional culture" and other literary discourse;Secondly,it explains that "Renaissance" is mainly manifested in creation,academic and criticism.Finally,the mutual choice between Li Jianwu andRenaissance is discussed,made and practice.The second chapter discusses the concrete practice of Li Jianwu's "Renaissance" editorial idea in the "positive text",mainly from the novel,poetry,drama,book review four areas of active exploration,for the post-war "Renaissance" this systematic engineering construction has made the important contribution.Novels: the rise of the short story "stream of consciousness" creative mode,the novel focus on the theme of "individual experience" innovation;Poetry: Jiuye poets realized the exploration of modernist poetry from the aspects of image art,expression and language expression.Drama: Wind floc and Firer realized the exploration of postwar drama from two different perspectives of intellectuals.The third chapter starts from the concrete practice of Li Jianwu's "Renaissance" editorial idea in "sub-text".The cover designed by Li Jianwu accords with the editing idea of "Renaissance".The fourth chapter starts from Li Jianwu's literary practice in Renaissance,and probes into Li Jianwu's literary practice in Renaissance through his exploration and practice of nationalization of drama in Youth and Shan heyuan and the transformation of poetics concept to "popularization".The fifth chapter highlighting Li Jianwu's liberal literary view in the micro sense:continuing the May 4th literary tradition and rebuilding the new national literature.Sums up Li Jianwu editor "Renaissance" and on the "Renaissance" of literary practice,from the history of literature significance,editing,historical significance to sure his ideas and practice.And the two chief editors,Zheng Zhenduo and Li Jianwu,respectively,made a specific explanation of their different understandings of the concept of "Renaissance",Conclusion on the basis of summarizing the full text,to reaffirm core viewpoint of this article,Li Jianwu and the significance of the Renaissance,and points out the deficiency of the paper.