Research On The God Of Silkworm Of Shu

The Chinese sericulture culture has a long history.The “Silk God” in this article refers to: This is the god of silkworm or its relatives and silkworms.According to the specific characteristics of each silkworm,it is divided into four categories: one is silkworm;the second is personalized silkworm;the third is the god of sericulture;the fourth is the god associated with sericulture.Focusing on the scorpion silkworm,it is born in the depression,or popular in the depression.On the basis of previous studies,this paper seeks to excavate the silkworm god from the perspectives of folklore,mythology and anthropology.Starting from the ancient books,the concept of Shu and silkworms is briefly explained in the introduction.In the process of combing the status quo of the study of the God of silkworm of Shu,the academic circles have neglected the status of the ancestral ancestors of the silkworms,and there is controversy about the hometown of the Lei Zu,and the exchanges between the Shu area and the Central Plains and the gender reflected in the mythology of the silkworms.Insufficient cultural attention.Therefore,the author divided the four chapters to study the silkworm god.The first chapter determines the relationship between the land and the silkworm by verifying that the word "Shu" is the name of the silkworm.And from the perspective of functionalism,it analyzes the foundations of silkworms,including the basic functions of agriculture and animal husbandry and food,and discusses the development of sericulture.The concept of the silkworm god was further clarified,and the six characteristics of the silkworm gods were discovered.The silkworm gods have a high status,and the silkworm gods group pays great attention to regionality.The sacrifice sites are diverse and the sacrifice activities are relatively small.Inclusive.In the second chapter,Can Cong is used as a breakthrough to explain the uniqueness of the sacred silkworm god belief.The weakening of the ancestral nature of the silkworm culture is discovered,and the silkworm god is more focused on the development of later generations.And further compare the similarities and differences between the official beliefs of the silkworms and the folk beliefs.Both have something in common in the time of sacrifice,the place of sacrifice,and the purpose of sacrifice.However,compared with the official silkworm belief,there are a large number of silkworm gods in the folk silkworm god beliefs,and the groups participating in the silkworm worship do not distinguish between genders,and the sacrifice activities are not ethical,rude and lively,and even have the meaning of primordial reproduction.After the third chapter,taking Lei Zu as the representative,he analyzed the various aspects of communication between the land and the Central Plains from the perspective of the Shu silkworm god.The sericulture of sericulture into the Central Plains promoted the development of silk weaving and embroidery technology in the Central Plains.It also spread the unique aesthetic culture of the sui dynasty to the localities through the brocade embroidery,which made the cultural exchanges harmonious and also provided valuable for the historical culture of later generations.in accordance with.The sericulture industry has maintained the stability of feudal rule from the perspective of culture and economy.This is an important reason why the ancestors of the Shu silkworms can stay in the position of the official silkworm god.The fourth chapter discusses the gender culture of the silkworm gods through the analysis of the myth of silkworms and the customs of the land.Through the silkworm female Ma Tau Niang to explore the impact of social culture on the characteristics and behavior of female groups.In the discussion of the image of "Mulberry" and the image of "Silkworm",this paper finds that women become the negative qualities of the silkworm.