The Analysis Of Gender's Power In The “big Heroine” TV Dramas

In recent years,a new female TV series——the "big heroine" has become popular all over the country.Beginning with Empresses in the Palace in 2011,The Legend of Lu Zhen,The Legend of Wu Mei Niang,Nothing Gold Can Stay...the “big heroine” TV dramas keep showing constantly,forming a phenomenal cultral landscape.the “big heroine” TV dramas mainly tells legendary and inspirational stories about women,which reflects the self-identity and emotional appeal of modern women,but also reflects the unfair status of women in reality.Although it has been criticized because of its identical and Entertaining,it is still popular and favored by female audiences.Why the “big heroine” TV dramas make women so obsessed? What is the difference between it and traditional female TV series? Does its appearance mean that women have independent power to narrate themselves at present? What kind of discourse power relationship hides behind its role's depiction and storied narration,and what kind of realistic problems dose it reflect? This will use feminist theory to discuss the above issues.The article is divided into 5 parts.The introduction part introduces the research background,the research object,the related research status and insufficiency,as well as the brief introduction of feminist theory.The first chapter defines the academic concepts of the “big heroine” TV dramas,limitied the scope of the research object,and analyses its characteristics and essence.The second chapter studies the female imaging in the play,and explores how patriarchy affects the formation of the imaging of " big heroine " and the relationship between women in the role imaging setting.The three chapter studies the narrative problems in the “big heroine” TV dramas,and how women “speaking” in TV by using their own vioce.Revealing the male discourse which behind the female narrative in the plays.The four chapter studies the carnival activities of women in watching the “big heroine” TV dramas,and reveals how the male power regulates women through Carnival induction and how they controlling the imaging world sovereignty.Pointing out this drama is nothing but irony of feminism.The conclusion summarizes the full text and gives warnings and suggestions according to the problems which embodied in the “big heroine” TV dramas.