On The Color And Ink Interest Of Freehand Figure Painting With Minority Themes

With the rapid spread of Western modernist art trends in Chinese society in the 1980s,Chinese painting is one of the most representative artistic expressions of the nation,and its traditional single"color" and "ink" creative model is the focus of improvement.With a wide range of attention,many young artists have embarked on the road of searching for new ways to create a new "color" and "ink"language to express the theme of ethnic minorities.The theme of ethnic minorities,with its unique national cultural connotation and rich costume color,has been favored by artists since the founding of New China.As the subject matter has become more diverse,the techniques have become more mature,forming a style and genre.A situation that is diverse.In this paper,the author will review and sort out the "color" and "ink" compatibility between minority themes and freehand figure paintings through the literature review,and focus on the sketches of freehand figures from the modern minority theme.The representative works are divided into four categories:the color,the ink,the ink,the color,the ink color,the ink and the western painting,and the combination of planes.Finally,combined with the experiment and exploration of the interest in "color"and "ink" in the practice of creation,I try to find the appropriate formal language to better express the freehand figure of contemporary minority theme in the process of rising theory to practice.Color "ink"is interesting.At the same time,it also provides some ideas for learning and creation for the future creation of themselves and other art practitioners.