The Application Of The Visual Language Of Taohuawu Woodblock New Year Pictures In The Creation Of Lacquer Painting

New year picture is a special form for the expression of art,due to the prominent artistic features of woodblock new year pictures in Taohuawu,it has become one of the representatives for the woodblock new year pictures in China,and meanwhile,it is the protected project for the intangible cultural heritage in China.In this paper,it generalizes the sense of beauty of woodblock new year pictures in Taohuawu from three aspects,which are modeling features,color concepts,and style structures.The beauty of the modeling features is shown that the woodblock new year pictures in Taohuawu was influenced by the literati painting in the previous,the model of it is fresh and delicate,the line of it is mellow and smooth,and flexible and clear,and meanwhile,with the integration of Chinese and Western,the shape it displayed in delicate and fine,and scientific and realistic.In the later period,the shape is overstated,which is good at generalization and conclusion,and also full of strong sense of decoration.The beauty of color concepts is shown that it was also influenced by the literati painting in the early period,which had the features of clear and elegant,and also the tinge is harmonious and unified.In the later period,it is not limited by the real colors,the colors are bright and vivid,which is good at the application of strong contrasting colors,and meanwhile,it focuses on the coordination of the total colors.As to the beauty of style structures,it is shown in the satiation of woodblock new year pictures in Taohuawu for the composition,besides,it it uses the illustrated form to show the topic and contents of the work,which is full of the wishes and expectations to the happy life,and also full of romanticism.At present,the realistic value of woodblock new year pictures in Taohuawu is losing gradually,but there is still large art research value for the unique visual language.Lacquer painting is a kind of art expression form which is inherited from the lacquer art for more than eight thousand years individually,and the artistic language of lacquer painting has the personal features in the aspects of creative skills,color styles,and style structures.The creative skills of lacquer painting are abundant,which integrate the painting and usability together.As to the color,it has strong comparison on the styles,which is connotative and natural.Influenced by the property of the materials of lacquer,there are limitations on the color gamut,but it can meet the deficiencies on the colors by means of the abundant media materials,so that the thine can be stable and abundant.As to the style structure,it complies with the common rules of the easel painting,and adheres to the rules of formal beauty.At the same time,lacquer painting is good at displaying the decorative styles and the form of geometric style.However,in the development of lacquer painting,it should focus on the connotation of the work and the expression of true thought and feeling.In this paper,it attempts to have analysis and research on the features of visual language which is full of aesthetic feeling in the woodblock new year pictures in Taohuawu,and with the combination of the self creation,it has exploration on the application of visual language of woodblock new year pictures in Taohuawu in the lacquer painting.The inspiration of the creation for the practice is from one of the representative materials of the God of Door in the woodblock new year pictures in Taohuawu.As to the creative concepts,it pursues to endow the woodblock new year pictures in Taohuawu with the modern interpretation in accordance of modern aesthetic interest,which regards the visual language of woodblock new year pictures in Taohuawu as a kind of symbol mark over time and space,and by means of the formal dynamic changes,it sets up the bridge for the connotation of traditional culture and the modern aesthetic interest.As to the practical creation,it starts from the schematism of the God of Door,with the topic of “ guard ”,and the modern lacquer painting is the expression form,so that it designs the work from the perspectives of the styling features of work,color concepts,style structures,and expression media materials.Besides,it integrates these two parties from the folk art form together,complements each other's advantages,realizes the recreation of the form of cross art,which aims to enrich the expression way of works,improve the personality of artistic language,and carry forward the modern value and significance.