Study On Xie Lingyun's Poetry Acceptance In The Early Qing Dynasty

Xie Lingyun is a celebrity in the history of ancient Chinese literature,and his classical status can not be ignored.Early Qing Dynasty,social unrest,The literary community is active in thought,which be in the critical period of Ming and Qing Dynasty poetry transfer.It's acceptance of Xie Lingyun's poetry show distinctive characteristics of the times.In view of this,this article based on this special historical period in the early Qing Dynasty,from the original literature,using the theory of acceptance aesthetics,It is divided into three chapters to examine the background of different poetic schools and poetic trends of thought,the literati's acceptance of Xie poetry's overall style further explores the uniqueness of accepting Xie poetry in this period compared with the middle and late Qing Dynasty.The introduction of Xie Lingyun's poetry in different historical divisions and the current and contemporary academic literature on Xie Lingyun's poetry acceptance and domestic and foreign studies,combed out a relatively clear research context.Before the Southern Dynasties to the Qing Dynasty,the acceptance of Xie Lingyun's poetry mainly focused on six aspects: artistic style theory,sentiment theory,pros and cons of Tao Yuanming and Xie Lingyun,the origin and influence of Xie poetry,Xie poetry's imitation,and Xie Lingyun's poetry collection.This also constitutes the prototype of Xie Lingyun's poetry acceptance study in modern academia.The first chapter is the basic situation of Xie poetry's acceptance in the early Qing Dynasty,mainly under the background of the Tang and Song dynasties in the early Qing Dynasty.This paper analyzes the acceptance of Xie Lingyun's poetry in the early Qing Dynasty from two aspects: the ups and downs of Xie Lingyun's poetic status in the early Qing Dynasty and the literati's unique contribution to Xie poetry.In the early Qing Dynasty,under the style of the Tang and Song dynasties,the literati used the aesthetic spirit of the Han,Wei,and Six Dynasties as the purpose of Tang and Song poetry.From the perspective of lyrical and aesthetic traditions,Wang Fuzhi,Wang Wuqi,and Wang Shizhen believed that Xie Shi contained the Book of Songs."elegant" spirit,There are not only the appearance of mountains and rivers,but also the ways of philosophy,and the temperament,richness,and praise for Xie poetry.Chenzuoming commented on Xie Poetry from the two aspects of poetry and poetry.He believes that Xie poetry is a good speaker,but she expresses her personal feelings and the pattern is small.Heyisun believes that Xie poetry's words are gorgeous and rich,but there is no sentence.The style of poetry is raw,and the attitude of the two is more objective and balanced.At the same time,the literati of the early Qing Dynasty believed that Xie Lingyun's contribution to ancient Chinese poetry was mainly reflected in two aspects.One was to open up the theme of landscape poetry,and the other was to change the voice of the creation and arrangement,open the Tang law,and change the style of poetry.The second chapter summarizes the focus and evaluation tendency of Xie Lingyun's poetry in the early Qing Dynasty from the aspects of artistic style,artistic skills,and situational relations.Specifically,in the early Qing Dynasty,the critics 'evaluation of Xie poetry's artistic style not only inherited the former people's fresh and natural theory,but also discovered its profound and police show.Compared with his poetic style,the critics of the early Qing Dynasty paid more attention to the beauty of the chapter and method of his poetry and its artistic effects on the expression of emotions and the description of scenery.In terms of the situational relationship,the Qing people believed that Xieshijing's emotions were filled with emotions.The things written by the poet during his creation,the feelings he felt,and the words he used were all in perfect harmony with the author's state of mind at that time,reaching natural nature.,The realm of reason.The third chapter,from the perspective of imitation,examines the acceptance of Xie Shi by literati in poetry creation in the early Qing Dynasty.The proposed works of thanks in the early Qing Dynasty can be roughly divided into three categories: thank the body,thank the poetry,and Xie Lingyun.It is represented by Huangzhouxing,Zhu Yizun,Wangshu,Qianchenqun,and Chenzufa.In the early Qing Dynasty,the literati presented the three-paragraph structure of Xie's poetry and copied the scene.The use of verbs and adjectives in the sentence was also used in Xie poetry's sentence.While inheriting the grand images such as Xie Lingyun's mountain poems "mountain elephants" and "water elephants",he also focuses on the portrayal of subtle "objects",and mostly uses the juxtaposition of natural images and place images.In short,compared with the predecessors in the early Qing Dynasty,literati paid more attention to the structure,syntax,handwriting and imagery of Xie Shi in terms of imitation.The conclusion further summarizes Xie Lingyun's poetry the contribution to "naturalism" aesthetics of literature and art category,"empty" artistic conception of the poetry theory development.The acceptance of studying Xie poetry's basic paradigm,sequence to accept the basic situation of Xie Lingyun poetry in the early stage of the Qing Dynasty.The poetry circle in the early qing dynasty formed the characteristics of the group of literati who accepted xie shi,the xie shi under the dispute of tang and song poetry,and the xie shi by qing people,and in the middle and late qing dynasty qianjia poetry,tongcheng school and huxiang poetry school generally accept xie poetry.Attached are records of poets such as Li Guoxian,Li Yuxin,and Yu.He plans to write poems of Xie Poetry and arrange them according to the time of the poet's activities in the poetry.In the appendix,scholars from Xingfang,Gong Dingyu,Huangzhouxing,Shi Yuzhang,Yejiaoran,Wangshu,Zhu Yizun,Wangtingcan,Shen Jiyou,Chen zufa,qian chenqun and other poets wrote xie poetry's poems in three categories: xie ti in different ways,Xie poetry and poems in the same subject.The core of this paper is to analyze the poetic background of Xie Poetry in the early Qing dynasty,the ups and downs of Xie Poetry's position in the poetic world,the Qing people's positioning of Xie Poetry,the evaluation of its artistic value and the simulation of xie shi,and summarize the basic situation of accepting xie shi in the poetic world in the early Qing Dynasty Among them,starting from the original materials,to further explore the qing people's imitation of Xie Poetry is a breakthrough in the study of the acceptance of Xie Lingyun's poetry in the Qing Dynasty.