Wang Shih-min Compared With Kun Can Form Of Painting Language Research

Wang shih-min and KunCan place in ancient Chinese painting history,and two others on social unrest,state owners special social period,but two people both in painting theory and ink language have many differences in such aspects as: one is in the early qing dynasty painting lead the leadership style of "orthodox school";One is a "crazy" painted monk immersed in his own world.A song in times of trouble to meet,stability in the pursuit of perfection;A buddhist monk went into seclusion.A disciple,so that the creation of the school of painting has been propagated;One seeks only to express one's feelings in the chest,not to seek merit and fame.Wang shih-min and KunCan under gone with different options to make two people on the status and life trajectory,but two people to the persistence of the landscape painting art is the same,wang shih-min paintings quietly elegant quiet,there is a kind of "and" the beauty of the static;Unruly KunCan paintings are inclusive,longitudinal bold,there is a dynamic beauty of brutal,between the static movement,is enough to reflect the unique art language.A case study of wang shih-min and KunCan abound,this article mainly contrast study on the two languages in the form of painting.This paper is divided into three chapters.The first chapter mainly analyzes wang shih-min and KunCan life path under the special historical background of change and the change of social status,position,to shift,and the painting on the road to learn the different objects,plus two people's pursuit of aesthetic artistic conception,combined with the comparative analysis of the three aspects of wang shih-min relation KunCan art language background;The second chapter mainly through analysis contrast with wang shih-min KunCan in ink features,composition,color characteristics and four sorts of different alternately for comparative study of the two languages in the form of painting;The third chapter mainly studies their status in the early qing dynasty and their influence on later generations.Through the analysis and comparison of the two masters' differences in painting form language and their status and influence in the painting circle in the early qing dynasty,we can appreciate and learn the advantages and advantages of the two ancient people from a more comprehensive perspective,and avoid their minor defects more objectively.