The Interpretation Of Calligraphy Aesthetic Terms In Tang Dynasty "Shu Shu Fu Yu Li Zi Ge" Of Dou Meng

In this article,Dou Meng's essay “Shu Shu Fu Yu Li Zi Ge” in the middle Tang dynasty was selected as the main object of study,focusing on the interpretation and classification of 90 words of calligraphy aesthetic terms in “Shu Shu Fu Yu Li Zi Ge”.Through the diachronic analysis in this article,The aesthetic terms in “Shu Shu Fu Yu Li Zi Ge” are traced back one by one,through the analysis from the Han to the Tang dynasty calligraphy theory with literary theory in the use of the same aesthetic terms,to clarify each the origin and evolution of aesthetic terms,at the same time,it gives an accurate definition of the aesthetic terms in the “Shu Shu Fu Yu Li Zi Ge”,and the aesthetic terms are sorted out and classified.Finally,the system of calligraphy aesthetic evaluation is constructed.Based on the synchronic analysis,this article makes a comparative analysis of the aesthetic terms in the stylistic aesthetic terms and the literary theories of “Shu Shu Fu Yu Li Zi Ge” and Wang Changling,Jiao Ran and Si Kongtu.Through the analysis of diachronic and synchronic,on the one hand,the article focuses on the inner relationship between Dou Meng's “Shu Shu Fu Yu Li Zi Ge” and the previous calligraphy theory.On the other hand,this article tries to find out the significance of “Shu Shu Fu Yu Li Zi Ge”to the later calligraphy field and other literature and art fields by analyzing the internal connection between“Shu Shu Fu Yu Li Zi Ge” and the logic and thinking of literary theory.