On The Masked Lyricism Of Zhang Zao

In the 1980s,the era of poetry,a group of poets were born,Zhang Zao was one of the famous poet.Zhang Zao's poetry occupies an important position in contemporary poetry writing.Most of the researches focus on the interpretation of Zhang Zao's creation concept and poetry texts,and there is little overall care based on the history of Chinese New poetry.This paper interprets the unique lyric characteristics of Zhang Zao's poetry as a masked lyricism,and analyzes the characteristics of Zhang Zao's poetry from three aspects:the ambiguity of lyric subject identity,the change of lyric perspective,and the dialogue of lyric voice.The text holds that Zhang Zao's poetry presents the characteristics of loneliness,emptiness,self-loss and division of the lyrical subject in a masked and lyrical manner,enriching the expression of the lyrical subject in the history of Chinese New poetry.This article is divided into three chapters:The first chapter mainly discusses the characteristics of masked lyrics.The masked lyrics attempt to avoid the lyrical center position of the lyrical subject.In Zhang Zao's poems,the lyrics in the poem are not coherent,unified and absolutely consistent.The lyrical subject is a fictional masked person,an anonymous person replaced by a personal pronoun,whose identity is either hidden or differentiated into different mask images.This means that the self and identity of the lyric subject is uncertain.The lyric subject wearing the mask has two meanings in poetic expression.One appears in the identity of the other and participates in the self-expression of the lyrical.The second is to use a mask to establish a meaningful connection between poetry texts.The second chapter mainly discusses the diversified characteristics of the lyrical perspective caused by the masked lyrics.The poet used the mask to get rid of the single and coherent lyric subject,and his lyric perspective also changed from single to diverse.Even in the lyrics that are dominated by "?",the "?" perspective is not a completely introverted observation.In the poetry text of the second person "you",the poet makes full use of the openness of "you" in the referral,showing a variety of perspectives.In the group poetry,the lyrical subject sometimes vocalizes from behind the mask of the character,sometimes jumps out of the mask image,and vocalizes from the perspective of the narrator.Inside the poetry text,a novel perspective change or transfer appears.Under the masking method of personal change,the lyric perspective changes from static to dynamic and changing.The third chapter mainly discusses the dialogue characteristics of the masked lyrics in the lyrical voice.Breaking the monotony of the lyrical voice,wearing the mask of the lyrist,or hiding under the mask image,or between the different mask images,the lyric voice in the poetry text is intertwined and mixed.The lyrical person becomes a "I" with double or even multiple consciousness,which makes the lyrical tone rich and miscellaneous,full of self-arguing and reflection.The dialogue of lyric voice is manifested in two aspects,one is the level of self-talk,and the other is the level of dialogue between texts.In summary,Zhang Zao's poetry uses the masked lyricism to express the crisis of separation,loneliness,emptiness,and aphasia,and expands the free expression of the subject in the writing of Chinese New poetry.