The Art Study Of Changzhi Jin Tomb’s Mural

In recent years, with the continuous tombs of Jin Dynasty excavated, archaeological reports are also published. They are mainly distributed in Shanxi, Henan, Beijing, Shandong, Liaoning, Hebei, Gansu and other places. Shanxi Province has the most tomb murals compared with other provinces, especially in Changzhi region. The tomb murals of Jin Dynasty in Changzhi have both historic and artistic significance, but they are still lack of attention. What’s more, the Jin’s remnants of art works are rare objectively, so the research of Jin’s tomb murals in changzhi region has the vital significance. This paper will make a study of artistic style to the Jin’s tomb murals in Changzhi region by the means of archaeology research work, and we hope to make educational circles have more comprehensive and clear understanding of artistic features of Jin’s tomb murals.This paper takes Jin’s excavated tomb murals in Changzhi as research object, and uses the methods of physical inspection, image analysis and document research, makes the tomb murals in Changzhi placed in the environment of social history and art development. It analyzes tomb murals’ stylistic features based on the art of murals, makes readers understand the transmission, development and change of Jin’s tomb murals through a comparison between Jin’s tomb murals and earlier tomb murals.Study found Changzhi Jin Dynasty tomb murals areas not only on the content and layout of tomb murals were pre-selection and processing, but also in the form of performance development and breakthroughs. Subject matter of choice, mainly depicting the tomb couple classes, dutiful son story and the production of labor class category, the tomb murals in the previous generation there have been some of the subject matter, in Changzhi Jin Dynasty tomb murals region is more prevalent. However, in the handling of these elements there are changes and developments in the performance of the combination of content and style as well as appearing in the tomb murals are more fixed position, indicating that this subject area in Changzhi Jin Dynasty tomb murals in the development of more mature. Spatial layout, drawing on the previous generation tomb murals composition layout have been changed on the basis of the first Jin Dynasty tomb murals Changzhi area are still used in the previous generation tomb murals Now that appeared in the tomb on the whole space slicing approach, but more detailed division, not only the separation of the top of the tomb at the top, in the middle of the wood structure building department and the tomb walls, and the walls of the tomb has to be divided, but also combined with a comic book-style scroll composition methods, different contents of each wall, but organic links as a whole, constitute a life unfolding around the tomb couple scene graph.The combination of these two composition methods used to make the tomb space constitute an orderly and rich virtual space. Techniques, the Changzhi Jin Dynasty tomb murals of the performance of more mature than ever, to make the use of fluoroscopy screen images form proportionate more comfortable and accurate, flexible arrangements scene, and through rich and varied, rigid, length, dense combination lines vividly depict images, images of great importance to express charm. Then the previous generation has been greatly exceeded, where images appear more casual styling, generous, lively, picture more vitality. The use of color is also very unique, the tomb interior color uniform, but can be decorated in different colors and variations, but also in the handling of different images can be flexibly applied Ping Tu, blooming, wrinkle rub, such as different colors processing techniques. Painters use of color contrast and harmony, through the initiative to deal with the entire tomb space both harmony and full of change, in contrast to strong, yet elegant ornate tomb in the atmosphere.Changzhi Jin Dynasty tomb murals in the content and form of the treatment are more inherited the Chinese nation’s cultural tradition, but showed more development and breakthroughs. Whether in the composition layout, shape, or color lines on both flexible in processing, painter good combination of these form factor and serve such a special burial culture environment, successfully create a tomb magnificent underworld world. Showing strong secular characteristics, formed its own artistic characteristics. They to some extent show us that era and the region’s art style and customs.