Research On Visual Performance And Aesthetic Thought Of Domestic Animation Based On Traditional Painting Theory

In the development of past few decades,Chinese animations have been committed to carrying forward national characteristics.For nearly 30 years,our own animation art styles renowned as “Chinese school” gradually get lost in the era of industrialization.A large number of Chinese animations learn from mature animation styles,contents and forms abroad,resulting in different levels of domestic animations,popularized styles and no national characteristics.This paper,by analyzing the application of the traditional painting theory in domestic animations,tries to find a new road and a new direction suitable for the future development of domestic animations,and actively contributes to creating national animation works with local styles.In the meantime,this paper offers theoretical support for creating excellent domestic animations,thus making the high-quality domestic animations with abundant national characteristics available to the general audiences' field of vision,and helping the animation industry to create new styles of animation works with Chinese characteristics.This paper explores the influence of Chinese traditional painting on the process of domestic animation creation from two aspects of visual expression and aesthetic thought.Firstly,the article gives a brief overview of the theme,form and characteristics of traditional Chinese painting,and understands the unique artistic style of traditional Chinese painting.Secondly,it makes a detailed analysis of the similar artistic characteristics of traditional painting and domestic animation creation.On the visual expression level,this research including the influence of traditional painting lines on the animation character modeling,the influence of color application on color collocation of domestic animation as well as the influence of painting composition on the setting of animation scenes;On the aesthetic level,this research consists of the consistency of freehand brushwork in painting and emotional artistic conception in animation and the unity of the aesthetic thought of both form and spirit in painting and the connotation value of animation theme.Finally,through the summary and induction of these two aspects,it is concluded that deeply influenced by traditional Chinese painting art,domestic animation creation was conducted in this process,.On this basis,this paper explores the application and conveyance of traditional painting art in domestic animation creation,and provides a powerful theoretical guidance for the innovation and integration of domestic animation and traditional painting in the digital era.Whether in visual expression or aesthetic thought,it strives to create a national value,rich national emotion,popular recognition excellent domestic animation works that based on the international stage.