The Report On Comprehensive Ceramics Decoration Design Of "Zhuang Jing"

Birds,as a cultural element,are rooted in the deep national culture of the Zhuang nationality in Guangxi,and have a profound impact on the humanities and arts of the Zhuang nationality in Guangxi.From the well-known story of "hundred bird clothes" to the wellknown bird pattern "Zhuang brocade" at home and abroad,birds have been integrated into the cultural life of the Zhuang nationality in Guangxi with their vivid totem culture and passed on to the present day with their strong artistic vitality.Today,with the development of modern ceramics,reflecting regional culture,national culture and personality culture has increasingly become the main direction of contemporary ceramics creation.Through many in-depth investigations and investigations of Zhuang culture in Guangxi,the author chooses to combine bird as a cultural element with modern ceramics art for graduation design and creation.In the creation,I am glad to find that the bird element can not only echo the guiding theory of "the application of national graphics in modern pottery design",but also fully apply the knowledge I learned in the postgraduate stage.Not only can we feel the elegance and agility of bird decoration from the traditional "Zhuangjin" craft,but also the warmth and comfort of bird decoration in contemporary Jingdezhen pottery works,the vast sea and sky,so as to realize another "magnificent view" of pottery design.This design mainly elaborates the whole process of the expression of the bird culture elements of the Zhuang nationality in the carrier of modern ceramic art,and systematically expounds the language and context of modern ceramic decoration art with the theory of ceramic design,so as to promote the further integration and development of the cultural elements of the Zhuang nationality in contemporary ceramic art decoration.