Application Of Qingyang Folk Sachet Elements In Oil Painting Creation

Folk art is a typical representative of China's "imagery art".It can provide rich resources for oil painting creation in terms of type,style,style and color.The development trend of oil painting has become the focus of debates among artists from all walks of life.The integration with folk art has become a hot topic.More and more artists realize that the development of oil painting innovation is inseparable from national art and national culture,so many combinations of national art have emerged.Oil painting creation.Especially after the 1980s,folk elements became a craze for Chinese oil painters to explore local culture.With the representatives of He Duo,Zhang Xiaogang,Yue Minjun,Wang Huaiqing and other artists,they applied the elements of Chinese folk art to the creation of oil paintings.It caused quite a stir in the art circles at home and abroad.Qingyang sachets are rich in style,color and cultural connotation.They study the feasibility and value development prospects of the application of folk elements in oil painting creation,and combine the current art development to find a point of convergence and oil painting.The coimection between creations plays a certain protective role for the inheritance and development of sachets,and at the same time hopes to open up new perspectives from the perspective of oil painting creation,Mr.Wang Yishi mentioned in the book "Research on Contemporary Chinese Oil Painting" that the development of oil painting in China is inseparable from Chinese traditional culture.The "image art" thinking is the inevitable development of Chinese oil painting.As an integral part of Chinese national culture,Qingyang Sachet is a typical uimageiy art".Its creative thinking,art language and cultural connotation have extremely high artistic value.Through the exploration of Qingyang sachet elements and oil painting creation,it has a profound understanding of the natural things that are embodied in it,and has a new understanding of the combination of Qingyang sachet and oil painting.The thesis is divided into four chapters.The first chapter studies the origin of the sachet,the language of art,looks for the charm of the sachet element,and analyzes its connection with the creation of oil painting.The second chapter looks at the way from the sachet,the shape and composition,The aesthetic implication explores the application of oil painting in three aspects.The third chapter discusses the creative style and personal reflection and understanding of the sachet elements from the perspective of creation.Finally,it looks forward to the development of Qingyang sachet and the development prospect of contemporary oil painting.