A Study Of Qingyang Peasant Painting In Anhui

In recent years,China's young generation of China traditional folk arts have responded with indifference,indifference,the rejection of the traditional art and make sense of the living space more narrow in folk art,we can not see the place with unexpected speed quickly.But with the national attention to this aspect,and the various provinces and cities for national and provincial intangible cultural heritage activities,make research on folk art has become a hot topic of the moment,by the widespread concern in the community.Although many experts have done a lot of research in this area,there are still some problems,so what we need to do is to continue to study in depth.This thesis focuses on the study of the artistic value,artistic features and aesthetic characteristics of the Qingyang peasant paintings.In this paper,we want to point out is why this research study,Anhui Qingyang peasant painting and what is the significance for the development of this folk art style;and sort out the existing research results in the past years,clearly pointed out that in the innovation of the research angle thesis is mainly from the aspects of artistic features,style characteristics embodied in the works of analysis and summarizes the characteristics of local culture,Anhui Huizhou culture.Secondly,along different directions to analyze the Qingyang peasant painting since ancient times,the formation and development of the antecedents and consequences,know what it comes from where,since the development of what has gone through the stage.Again,we have to carry on systematic research on the creative style,we must first understand it,analysis of the artistic characteristics of its region and from the point of view of the era;to summarize its main themes from the existing works in the painted object,plot and scene;from the works of people and things on the other find their commonness and difference from other peasants'personality;find composition of Qingyang peasant paintings from the picture of all objects in the layout;at the same time,collocation of color style in-depth analysis,obtains its originality,in order to show why the country famous peasant painting can not be less,Qingyang peasant painting is still an integral part of the folk art system.Through this analysis,we can understand the Qingyang peasant painting as a kind of folk art has a wonderful artistic value,but also shows the significance of the study is very significant.Finally,it is necessary to study the development of the status quo from the inheritance and development of the status quo and put forward some feasible measures according to the specific circumstances of the local government,in order to promote the industrialization of Qingyang peasant painting,Qingyang peasant painting is fusion of Huizhou three birds,folk paper-cut,wall painting in an art form,has rich cultural features in logo creation,which is different from other farmers' painting style,formed a unique artistic expression.We are now in the Qingyang peasant painting done,is to make it a special form of folk art does not go downhill in the future,the purpose is to summarize the unique visual language form,provide a solid theoretical foundation for beginners,to develop the next generation of creators gave himself a force.