Jiutai City,Jilin Province,is known as "the hometown of shaman culture".Among them,the Shi family(Sikriti),which is located in Xiaohan Village of Jiutai City,is the most typical representative.The shaman sacrifice ceremony of the Shi family has a clear inheritance context.Up to now,it still inherits the living shaman sacrifice ceremony,which has attracted extensive attention of experts and scholars in various fields at home and abroad.In this paper,the Manchu nationality in Jiutai City,Jilin Province is selected as the research area,and the Shi family of the most representative Manchu Zhenghuang Banner in Xiaohan Village is taken as a case study,through literature review,field investigation and other research methods,from the point of view of dance morphology.Combined with the professional knowledge of dance and interdisciplinary subjects,this paper deals with the Manchu stone in Jilin Province.This paper systematically discusses the shaman sacrifice ceremony of the family and the dance movement form in the ceremony,analyzes the implication symbol behind the Manchu shaman sacrifice ceremony dance,and explores the dance movement form and the moving law element that can be molded.Finally,combined with the relevant knowledge of intangible cultural heritage,the author puts forward a series of thoughts and suggestions on the development and protection of contemporary Manchu shaman dance in Jilin Province.Hope to be able to inherit and protect the intangible cultural heritage of Jilin Province "Manchu shaman dance" to make valuable artistic research. |