The Relationship Between The Northeast Errenzhuan And The Manchu Shaman Sacrificial Culture

The shaman sacrifice is one of the oldest religious cultures in human history.It originated from ancient times,is active in ancient times,and is modern.It still has traces of its activities under the background of contemporary society.It can be seen that its influence and vitality can not be underestimated.Errenzhuan is a kind of drama that is active in the Northeast region of China.It has won people's love with its unique way of acting.Through the horizontal comparison between the two ways of expression,the longitudinal study of their respective development history can be seen that there is a very close relationship between the two.The research object of this paper is not the study of the performances and gestures in the superficial sense,but the relationship between the two cultures through the surface to the cultural connotation level.From a branch of Shaman's dance activity that evolved in the direction of entertainment,"Savage Dance" as the starting point,it gradually evolved into a two-person deduction form through the form of a scorpion song.This thesis mainly analyzes,compares,and studies from this context,and explores the two-person transition and Manchu Sa from the perspective of cultural domain.Through analyzing the expression of modern shaman jumping God,this paper looks for the expression form and cultural connotation of modern shaman jumping God,and compares and analyzes the performance form of modern two-man turn,and finds that the performance form of modern shaman jumping God and two-man turn is extremely high.similarity,The cultural connotation of the two reflecting the collective unconscious of the nation is also very similar,but there are also some differences in the performance form and the cultural connotation,mainly due to the content and purpose expressed by each.Although the content of the two-person performance has gradually progressed with the times,it has basically been separated from the shadow of the Shaman worship culture,but its essence has not left the reproduction of the Manchu Shaman jump mode,and it still embodies the collective unconscious hidden in people's psychological cognition.,That is,the infatuation and memory of Shaman culture.