The Acceptance And Development Of Confucian Poetics In The Literary Theory Of Wei,Jin And Six Dynasties In The Pre-Qin And Han Dynasties

In the Pre-Qin and Han Dynasties,since the compilation and dissemination of the Book of Songs,various schools have applied and interpreted the early art of poetry in the same way.The Book of Songs is conceived in ritual music and reflects the political value and social consciousness embodied in ritual music.Especially,Confucianism is the most prosperous school.They cite "Poetry" and "Poetry" to elucidate and promote their theory and political thought,thus forming the embryonic of early Confucian poetic criticism.At that time,however,the great literary environment with mixed poems,music and etiquette and the political ritual situation with the indivisibility of literature,history and philosophy formed some characteristics of the early poems.Confucius was the earliest scholar of Confucian school who said "Poetry" and taught it by poetry.He was also the pioneer of Confucian poetry theory in the pre-Qin period.The discovery of Bo Zhu bamboo slips and Guodian Chu bamboo slips in unearthed documents also revealed that Confucian poetics emphasized the duality of politics,religion and lyricism.At the same time,Confucian poetry theory in the pre-Qin period was the origin of Chinese literary criticism and Chinese literature and art.The germination of thought.The literary theory of the Wei,Jin and Six Dynasties has always been attached great importance to by the academic circles,which benefits from the further exploration and discovery of the essential law of literary creation by the writers of the Wei,Jin and Six Dynasties in their positive acceptance and inheritance of the literary thought of the pre-Qin and Han Dynasties.Writers in the Wei,Jin and Six Dynasties began to pay attention to the artistic features of poetry,such as emotion,style,creative conception and rhetoric.They not only carried forward the correct Confucian poetic concepts in the pre-Qin and Han Dynasties,but also innovated them.In their own works on poetry,they broke through and then combines the literary theories of the pre-Qin,the Han Dynasty and even the Wei,Jin and Six Dynasties into a new critical theory adapting to the development The literary theory of Wei,Jin and Six Dynasties not only inherited Confucianism’s understanding of the essence and function of poetry,but also made a tentative exploration of the internal artistic aesthetic characteristics and artistic value of poetry’s Lyric form.The article mainly includes three parts:The first chapter mainly discusses the inheritance and transformation of the literary theory of the Wei,Jin and Six Dynasties to the ontology of Confucian poetry.It summarizes the occurrence of Confucian poetry in the Pre-Qin and Han Dynasties and the specific connotation of the poetic thought,and then explores the re-recognition and new discovery of the essential characteristics of the poetry of the Pre-Qin and Han Dynasties from the historical and cultural context of the deepening of the Poetics of the Wei,Jin.The second chapter focuses on the function theory of poetry,mainly taking the main poetry theory and literary theory in the Wei,Jin and Six Dynasties as the research object,to find the acceptance and development of the function theory of Confucian poetry in the Pre-Qin and Han Dynasties from the literary theory of the Wei,Jin and Six Dynasties.The focus of the discussion is the poetry thought condensed in the literary theory masterpiece Wen Xin Diao Long in Wei Jin and Six Dynasties and the migration of Confucian poetry concept in Zhong Rong’s Poetry Specialty to the pre-Qin and Han Dynasties.This paper investigates the characteristics of the development and evolution of the functions of poetry in the Wei,Jin and Six Dynasties through the development and changes of the functions of poetry in the Pre-Qin,Han,Wei,Jin and Six Dynasties.Chapter three discusses the sublation of Confucian poetry creation theory and criticism theory by literary theory of Wei,Jin and Six Dynasties.Based on the theory of poetry creation and criticism,this paper distinguishes and compares the theories of poetry in the Pre-Qin,Han and Wei-Jin Dynasties and the Six Dynasties respectively.Through comparative analysis,it explores the great enrichment and development of the theory of poetry creation and criticism in Wei-Jin Dynasty,and the new methods of poetry creation and the shift of critical perspective produced by the literary critics in Wei-Jin.Chapter four is devoted to the expansion of the literary theory of Wei,Jin and Six Dynasties to the style theory of Confucian poetry in the Pre-Qin and Han Dynasties.In view of the germination of the poetry style of the Pre-Qin and Han Dynasties and their early viewpoints,this paper explores the development of the poetry style and the trend of the poetry style in the Wei,Jin and Six Dynasties.The fifth chapter discusses the value of the literary theory of Wei,Jin and Six Dynasties to the acceptance and development of Confucian poetry theory in the pre-Qin and Han Dynasties.The first section discusses that the literary theory of the Wei,Jin and Six Dynasties has constructed a mature view of poetry with the characteristics of Chinese literary theory and a scientific understanding of the essence of the aesthetic art of poetry.After the Wei,Jin and Six Dynasties,both the theory of poetry and the category of poetic value have melted and sublimated the achievements of the previous poetry theory.The second section talks about the artistic value and the extensive social value contained in the literary theories of the Pre-Qin,Han and Wei-Jin Dynasties from a critical perspective,which ultimately belong to the value concern of "humanism",and even permeate the whole theory and practice of poetry diachronic criticism.