Influence Of Ancient Brick Calligraphyon Sealing Creation

According to the currently published data,the earliest brick text appeared in the late Warring States period.The contents of the brick text include names,marks,Kyrgyzstan,years,Chronicles,epitaphs,land vouchers,essays,etc..The records are brief.There are two major types of brick text: one is the typographic al brick text,and the other is the carved brick text.Most of the early brick texts were seal stamps,and a few were carved texts.The mold printing brick text is stamped on the wet brick billet,or pressed with the character mold;The carved brick text has the difference between wet and dry carvings.There are many bricks in the Chinese History Museum in the Han Dynasty and the latter.Its contents can be divided into five categories: palaces,tombs,notes,temples,pagodas,and city bricks.The above types of brick texts are generally stamped,imprinted,or carved on bricks,and then burned,and they are also engraved on burned bricks.The brick body covers XiaoZhuan,LiShu,Cao Li,cursive,and regular script.The era spans from the Qin and Han dynasties to the Ming and Qing dynasties.You can see the evolution of calligraphy art in brick writing for more than 2,000 years.Ancient brick texts are mostly from the people and represent the writing atmosphere of the lower working people.They can reflect the true state of folk calligraphy use at that time.They freely display the natural writing interests of the lower working people and present different styles from the official ones..Most of the ancient brick texts we see are freely waved and rarely restrained.Therefore,there is more room for development in writing,and it is also the most representative in the study of the evolution of ancient books.With the advent of a large number of brick materials,the objects that can be used for seal cutting art creation have become more and more extensive.The concept of creation of "YinzongQin Han " has gradually changed,gradually getting rid of the imitation of the shape of the seal of the Qin and Han dynasties,and emphasizing the pursuit of the spiritual charm of the seal of the Qin and Han dynasties.It evolved from "India and China to India" to "India to India." Whether it is printing in India,printing from books or printing outside India,it is returning to the spirit of "Qin and Han" and is the pursuit of the more essential connotation of "YinzongQinHan".At the same time as the "indo-qin and Han dynasties",to enlarge the line of sight and gain new feelings from the folk brick text is precisely the specific attempt of "indo-seek printing" in the creative practice.