Teng Gu's Ideological Choice And Artistic Conception In Early Times(1917-1923)

In the late Qing Dynasty and early Republic of China was the era of rapid changes in the development of Chinese cultural history,ideological history and academic history.Chinese Science and art historians of art history shows the evolution of the unpredictable,ever-changing nature of things evolution trend in the early Republic of China.As the era of the Republic of China,art history research is an important academic generalist Teng Gu(1901-1941)is a typical representative in the concept of the tide,his study of art history and art thinking by the method half of German state of art history and Archaeology style analysis on pedigree type research in twentieth Century,at that time in the China art history research very few personal collusion local school pulse,"the Japanese model" and "German pattern" of Chinese scholars.However,Teng Gu left behind for a brief and vague life back,especially his family background,growth environment,early education,creation and social experience,literary concepts and academic thought formation evolution and so on,the long-term lack of rigorous historical textual research and theoretical aspects of a thorough investigation.In fact,Teng Gu's life is based on the broad academic perspective of cultural history,which is determined by his growing learning environment and the value orientation formed on this basis,and has strong individuality and epochal nature.But Teng Gu's personal art history and the academic style of archaeology are undoubtedly as the originating and unifying of the whole cultural concept category.This article is based on the author in recent years gradually discovered the early biographical information,learning materials,graduates list,literary aesthetics writings,poems,essays and diary chronicles,periodical literature,image data base by Teng Gu,trying to rebuild historical picture of life and human culture in late Qing Dynasty,on the basis of the linear time order of growth figure of 1900-1923 years under the tutelage of young Teng Gu "mandarin ducks and butterflies" learning archaic poetry,literati Chen Diexian joined the Jiangsu Wujiang County town of Tongli literary group with his experience,study on the the "change name" and the deep reasons,one by one in arrangement and comprehensive system,and both some vague study or contrary to the facts described,for the first time to be revised and corrected.The author is based on the invastigationTeng Gu youth to inherit the traditional culture and the western thought for reference,revealing his early strong national culture consciousness and culture independent concept,showing the choice of thought and change course at the end of the Qing Dynasty in the Teng Gu as the representative of the young intellectuals Ming,inspirational,relationship between the reflection direction the early literary creation trend and later art history,archaeology,art education mode,the dynamic process of back Teng Gu's academic thought and literary concept formation and evolution,which has characters of the complicated and inherent tension,full face sketch of his life idea of acting,finally to sort out the modern transformation of the Republic of China since twentieth Century art historian and art history,providing a specific empirical study sample.