The Clutural Inheritance And Modern Evolution Of Folk Art Gathering Of Miaohu

Folk folk art culture,as a kind of traditional folk art,although different from elite culture,it has always existed outside the history of art,but it exists in the daily life of the people in its own special form.Meet the people's experience of beauty in the daily life space,as well as their wishes and expectations for life.Its development not only bears the National emotion of Chinese traditional folk art culture,but also is the link between modern culture and traditional culture.Under the situation of accelerated economic development and urbanization,each original independent space penetrates and merges with each other.Traditional folk art has long been separated from the original living space,and there is also a great crisis in its inheritance and development.However,with the acceleration of globalization,the soft power of culture has become more and more important.How to inherit and develop traditional culture is an urgent problem.As a national intangible cultural heritage,the Folk Art Gathering of Miaohu Society will have a history of hundreds of years.How has it survived the vicissitudes of the times and spatial alienation? This must be inextricably linked to its own artistic charm and the struggle of folk artists and parties to pass on.Due to the intensification of urbanization,many folk artists have left the space of ancestral life and transferred to urban life.However,folk culture can not separate from the original living space and exist independently.How to complete the construction of the traditional culture in the new space,how to preserve the traditional cultural memory in the new space,and how to inherit and develop the traditional culture are all problems that we need to solve.The article is divided into five parts.The first part of the paper describes the background of the study of the Folk Art Gathering of Miaohu and the current research status of the Folk Art Gathering of Miaohu.The second part understands the origin and evolution of the Folk Art Gathering and the current development of Miaohu Folk Art and concludes that the term "Folk Art Gathering" comes from the Song Dynasty.However,there are great differences in the form,function,and purpose between the Song Dynasty Folk Art Gathering and today's Folk Art Gathering.The third part is the author's interview and cultural analysis of some artists of the Folk Art Gathering of Miaohu,and expounds the artistic charm of the Folk Art Gathering of Miaohu and the personality charm of the artist and the significance worth further study.The fourth and most important part is the analysis and understanding of the art of the Folk Art Gathering of Miaohu,including the analysis of its singing,language,rituals,and aesthetic experience.The characteristics and charm of the Folk Art Gathering of Miaohu and how to cater to the aesthetic experience of the audience and complete the construction of traditional cultural space in the process of its inheritance and development are obtained.The last part is to find out the advantages and disadvantages in the development of the Folk Art Gathering of Miaohu through the analysis and understanding of Folk Art.It also puts forward the problems encountered in the cultural inheritance of the Folk Art Gathering.Finally,it puts forward suggestions to solve the problems faced by the current development.And put forward the next to the Folk Art Gathering of Miaohu will inherit and develop practical opinions.