Concept And Performance : Mi Fu's Calligraphy Style In Yi Jin Zhai's Works

The master of Yi Jin Zhai,Prince Cheng(Yong Xing),was obsessed with Zhao Mengfu and Dong Qichang,and most admired and loved Mi Fu,so he chased Mi Fu outside of Zhao and Dong.This article starts with the interpretation of Yi Jin Zhai's Collection,the analysis of copy Mi Fu's works in Yi Jin Zhai's old tibetan law book and Yi Jin Zhai's inscription,and the investigation of the acquaintance of the Prince Cheng,so as to probe into Yizhai's preference for Mi Fu's calligraphy.As a result,he learned that in addition to Zhao and Dong's "normal" style works,there are also Mi Fu's "seeking change" style works,which are not just samples in line with the tide of the times.In the middle of Qing Dynasty,there were many summer holidays that loved Mi Fu and actively adopted the method.The era phenomenon of Mi Fu and Song Dynasty calligraphy is not an example,but a group of calligraphers who take Mi Fu's calligraphy study as the object behind it.The focus of this paper is on the basis of Yong Xing's works and his calligraphy collection,including his thoughts of socializing and studying books,sorting out the important position of Mi Fu in Yong Xing's calligraphy,and his performance in Yong Xing's works.Finally,from Yong Xing's idea of Mi Fu and his idea of learning Mi Fu,I think about my own practice of calligraphy creation.