On Shi Zhecun's Writing In Small Towns

With the emergence of modern civilization,writing modern cities has become an important literary creation tradition of modern writers.However,some writers have broken the fixed pattern of writing urban and rural oppositions and writing them in small towns,thus forming unique characteristics.Writing in a small town.Shi Zhecun is an important representative in the writing of small towns.He was born and raised in a small town in the south of the Yangtze River.He has obvious urban and rural dual cultural characteristics.His life has a close relationship with small towns such as Hangzhou,Suzhou and Songjiang.It is not only the "back garden" of Shi Zhecun's literary creation,but also the sustenance and destination of his cultural emotions.Therefore,this thesis intends to explore the cultural psychology of Shi Zhecun's choice between traditional and modern from the perspective of Shi Zhecun's small towns,and analyze the unique aesthetic style of his novel creation.The introduction analyzes the writing status of Shi Zhecun's small towns,explains the connotation of small towns,and points out that the consciousness of small towns has become the aesthetic choice of modern writers.The first chapter is based on the small towns where the dual culture coexists,and examines the transitional image of Shi Zhecun.First of all,it is pointed out that the transitional person is a person standing on the traditional-modern continuum.Shi Zhecun takes the cultural collision and recollection as the entry point,pays more attention to the cultural changes of the characters' psychology,spirit and temperament,and the unique existence of the transitional person.Cultural psychology is an important part of Shi Zhecun's writing in small towns.Secondly,the perspective of women in small towns in traditional cages and modern desires is a concrete manifestation of Shi Zhecun's thinking and discussion on the essence of life.In the second chapter,Shi Zhecun has the traditional image of the spirit and emotion of the small towns,such as alleys,teahouses and gardens,as well as modern images such as stations and newspapers.These images together reflect the characteristics of the "intermediate" of small towns.This chapter attempts to use these images as an entry point to explore the writer's cultural choices and thinking about life consciousness,and to examine Shi Zhecun's aesthetic and modern complex aesthetic feelings through the symbolic meaning of imagery.This is also the difficulty of the article.The third chapter,Shi Zhecun's small towns are written in the narrative art,which not only reflects the artistic characteristics of the intertwined classical and modern,but also shows the sentimental aesthetic emotion.This sentimentality is carried out in the rhythm of soothingpeace.This narrative rhythm is different from the tension and anxiety of the city.It brings a quiet and relaxed aesthetic feeling to the readers.It is consistent with the simple and peaceful life rhythm of small towns.of.The conclusion is a brief description of the aesthetic uniqueness of Shi Zhecun's writing in small towns and its value in the history of literature.While Shi Zhecun turned his attention to the small towns in the south of the Yangtze River,the small towns also gave him the way to imagine the world,giving him a poetic homeland and a spiritual home.It provided Shi Zhecun with a tradition of thinking and Perspectives and methods of modern relations.