On The Artistic Conception Of Landscape Painting In The Yuan Dynasty From The Viewpoint Of "Green Bian Recluse

Artistic conception is the soul of the painting, "artistic conception" in Chinese classical aesthetics is a very important concept, it in China’s classical aesthetics system and traditional Chinese landscape painting has the vital significance, for historical landscape painter in the painting to the direction of the formation of the artistic conception and pursuit. In Chinese landscape painting works, there is no artistic conception is the key to the success or failure of a piece of work. Ancient Chinese artists in the long-term practice of the arts, in the real world of thousands of images as the main body of their creation, and seek the basic rules, to explore which contains the beauty of artistic conception, the painter’s subjective life sentiments and objective natural beauty, blending, so as to achieve the harmony between man and nature in a harmonious state."Blue and green Bian seclusion map" is considered to be a picture of Wang Meng’s handed down on behalf of its artistic style and the pursuit of the masterpieces, the exquisite exquisite painting techniques, to create a model of Chinese ink painting in the form of beauty. In Wang Meng’s there, since the Tang and Song Dynasties calligraphy and painting creation transformation for expressing ideas, emotional catharsis, xiongyi sustenance,creating a Chinese painting freehand brushwork in traditional Chinese painting and the spirit of new realm, from and four yuan and work together to push the new realm of art and the height of the water and ink paintings,landscape painting of Yuan Dynasty in the history of Chinese landscape painting occupies an important position, is a peak in the history of Chinese landscape painting and the mature stage. This paper from the Qing Bian Seclusion"of and contact the social background at that time, cultural atmosphere, as well as other Yuan Dynasty landscape painter of the artistic style and analysis temperament and interest of the implication of the Yuan Dynasty landscape painting.