Postmodern Narrative Research Of Micro Documentary

In recent years,cultural TV programs have become more popular.At the same time,high-quality TV culture programs have also been widely spread on the Internet.Among them,micro-documentaries have become one of the favorite forms of video programs for the Internet and mobile.The micro-documentary has completed the metaphor and discipline of social consciousness while satisfying the needs of social aesthetics and social and cultural development.Some cultural communicators went deep into the society,explored civilization,and produced a group of well-made and original micro-documentary works.The 100-episode historical and cultural micro-series documentary "If National Treasures Can Speak" produced by CCTV's documentary channel,has already broadcast 50 episodes of two seasons in 2018,each episode telling about a national treasure and only 5 minutes.s story.The program uses a new narrative to show the charm of national treasures,organically combines the heavy Chinese civilization with the fragmented communication in the new media environment,showing typical postmodern narrative features,such as micromorphology and deconstruction rationality,deepening the depth,and abandoning the grand narrative.Post-modern thinking patterns such as decentralization are rare in documentary and historical documentaries.Based on Mark Curry's post-modern narrative theory,this paper further explores the post-modern innovation approach of micro-documentary by analyzing the post-modern narrative features and techniques of the series "If National Treasures Can Be Speaking".The study takes "If the National Treasure Can Speak" as an example,from the intertextual interpretation of postmodern narrative performance,time and space compression and small narrative,analyzes the narrative form of contemporary micro-documentary creation.On this basis,the post-modern narrative development of micro-documentary is explored,including the micro-discourse mode in the context of the new era,the micro-narrative structure under deconstruction and the micro-record ideology under politicization.On the one hand,this study closely combines the inheritance of Chinese civilization with the communication environment of the new era and enhances the cultural selfconfidence of the Chinese nation.On the other hand,it applies post-modern narrative theory to film and television research,seeking a path for breakthrough in the advancement of contemporary film and television art.