Analysis Of The Reconstruction Characteristics Of Chinese And Western Parallel In The Musical Play "Butterfly"

The musical was born in the Western world in the late 19th and early 20th centuries.After more than a century of development,it has become a form of stage performance art that has swept the world,and there has been such a long-lasting performance as Broadway.Its development has still represented the most cutting-edge development direction of contemporary musicals.Musical dramas were introduced to China in the 1980s.Over the past 30 years,Chinese musical performers have been working on creating Chinese native musicals in addition to the original Western musical dramas.However,the development results are not impressive-although there are hundreds of Chinese original musical performances,there are very few plays that have a certain social influence.The original Chinese musical "Butterfly" was premiered in 2007.Later,it was invited by many cities in China and Britain,France,the United States and other countries to tour more than 100 games,and the audience was full.As an original Chinese musical that has exerted a certain influence in the international arena,the concept of creating Western parallelism has undoubtedly become a bridge between Chinese and Western cultures,and the localization of the "imported goods" of musicals in China.Provide a feasibility reference case.In the second chapter,through the combing of the development of western musical drama innovation,we summed up the artistic core of its development that is still growing up--according to the times,based on the current development trend of popular culture.Innovate and develop thinking,in order to seek "foreign use for me",as the ideological basis for the localization innovation and development of contemporary Chinese musicals;the third chapter is based on the excellent case of the Chinese musical "Butterfly" creation ontology,on the localization of the West parallel The examples under the principle of innovation and development are analyzed to provide a reference for the creation of contemporary Chinese original musicals.The fourth chapter is based on my participation in the original musical "Zhi Meng Yuan",and the personality of the second creation.The localization shape proposes the methodological thinking of figuration;the fifth chapter borrows the concept of"intertextuality" which is widely used in cultural studies,and classifies the stage performance art form of musical drama as a text information symbol and analyzes musical drama in China.The inevitable requirement of localization reconstruction.Strive to use history as a guide,sum up the gains and losses,and put forward the individual construction of musical drama in the localization direction of China on the basis of "foreign for me,ancient for today".