The Intertextuality Research Of Liu Zhenyun’s Novels

Liu Zhenyun’s novel creation process can be divided into three stages. From 1979 to 1987 is the early stage, as a start, the works are immature, but the writer’s efforts to write the world are worth to affirm; In1987, Liu Zhenyun is well known by people, until 2002 he completed his second creation stage; From 2003 to now is the third stage. Viewing from last two stages, we see Liu Zhenyun’s writing topics changed from power to ethics, from ethics to history, from history to home and from home to exist, and it shows his continuously explore attitude, also means his writing to the world tends to mature. At the same time, the intertextuality lines between the novel and the world are more and more clearly: in the longitudinal direction, passing through the ancient and modern, in the horizontal communication connecting china and the west. Their criss-cross lines together constitute Liu Zhenyun novel’s intertextuality landscape.So this paper mainly from four aspects to study: the first chapter is to analyze the intertextuality phenomenon that appeared to Liu Zhenyun’s novels. The intertextuality relationship in of his novel let Liu Zhenyun’s novel show its unique charm. The second chapter explores Liu Zhenyun novel’s intertextual features, in order to facilitate the intertextuality endoplasm in-depth and have a comprehensive understanding. The third chapter begins with the connotation of Liu Zhenyun’s novel, and mining the deeper conversion. The fourth chapter aims to explore the significance and value in Liu Zhenyun’s novels’ intertextuality. The significance of Liu Zhenyun’s novel to the work itself, the significance to the author, the significance to the readers, and the enlightenment to the contemporary literature and Chinese literature.Twenty-first Century, as a "heteroglossia" era, in the tide of economic globalization, the world’s cultural mechanisms in reform, we chinese, how to stick our own culture? Where does national literature go? Where to find our own spiritual? These are important issues that the intertextuality in Liu Zhenyun’s novels left to us.