Research On Participation In Interactive Mode In Public Art

The development of public art in contemporary society is entering a period of rapid growth.It springs up like bamboo shoots after a spring rain.On the one hand,the demand for public art comes from the connotation and quality of urban construction in rapid development.On the other hand,the development of public art comes from the people's spiritual need for culture and art.People are increasingly aware that public art has a huge,long-term,imperceptible role for the public spirit.The concepts of democracy,self-confidence,equality and civilization that we want to express in public art conform to the requirements of socialist core values advocated by the state.Public art plays an active role in turning to the construction of social culture and art,cultural consciousness and cultural self-confidence.Public art serves the people,and the public relations that public art wants to create are to be expressed and presented.Participation and interaction has gradually become one of the important criteria for judging whether public works of art meet the needs of the public.This paper combs the relevant theories of public participation interaction in China and at home and abroad,which paves the way for the interaction in public art to a certain extent.This paper lists the public art works of China and foreign countries,makes analysis and comparative study of these public art works,and provides theoretical research on the way of participation and interaction for the development of public art.This paper probes into the form of public art in the new era,and puts forward new ideas for the concept of public art creation.In the first part,the introduction part elaborates the reasons for choosing this topic,and discusses the background,purpose and significance of the research,as well as the research methods and framework.In the second part,the article analyses the concept and content of public art.The chapter elaborates the origin and development of public art,as well as the current development of Chinese and foreign public art.The article discusses the important role of public participation and interaction in public art,as well as the impact of social culture and public relations brought about by public art.Through the gradual elaboration of the above four parts,this paper establishes the corresponding theoretical basis for the following research on the interactive mode of public art participation.In the third part,according to the relevant theories of public art and participation,referring to Sherry Arnstein's "ladder of citizen participation" theory,the author puts forward the types of public participation in public art,defines four types of participation in public art,and lists relevant cases of public art at home and abroad.At the same time,it makes a comparative analysis of the ladder of citizen participation and the way of public art participation.The fourth part explores the different forms of public art development under the new era background;the article elaborates the growth characteristics of public art;the article also discusses the future direction of public art creation.The fifth part is the summary and statement of the content of this article.At the same time,this part also makes new assumptions on the development of public participation in the creative concept of public art.