Research On The Relationship Between External Form And Inner Emotion In The Rhythm Of New Poetry(1917?1949)

rhythm is an objective phenomenon that is common in all things in the universe.The rhythm is in the universe,the rhythm is in life,and the rhythm is in the art is an indispensable part.Literature is the most emotional and intellectual art in all artistic activities.Poetry is the most closely related genre in literature.Rhythm is the life of poetry,and it is a criterion for judging whether poetry has external aesthetics and inner emotional resonance.China's new poetry is produced under the impact of classical poetry and foreign poetry.The rhythm of new poetry since its birth is an indispensable topic in the creation and research of new poetry.For the sake of space,this paper selects the time passage from 1917 to 1949,starting from the publication of the first batch of vernacular new poems in 1917,and ending with a new development period after the founding of New China in 1949.Poetry is the art of the unity of external form and inner emotion.The generation of rhythm must include certain time passages and the ups and downs generated in this passage.This leads to the rhythm of new poetry when the inner emotion of the poet is expressed through verses,expressed as a rhythmic external form.Throughout the research status and research results of predecessors,the research on the rhythm of new poetry mainly focuses on four main aspects: one is the research on the rhythm theory of new poetry;the second is the research on the external rhythm of new poetry;the third is about the inner poetry of new poetry.The study of emotional rhythm and rhythm experience;the fourth is the study of the rhythm of new poetry by a single new poet.The aspects of the rhythm of the new poetry and the research results of the predecessors mostly revolve around the external form rhythm and the inner emotional rhythm of the new poetry,but there are few studies on the relationship between the two,and the correct understanding of the relationship between the two is an important aspect of studying the rhythm of new poetry.Therefore,this paper starts with the analysis of the new poetry texts from 1917 to 1949.Through the reading of the text,it summarizes the types of rhythm of the new poetry in the past thirty years,and analyzes the reasons for the formation and change of these rhythm types.On this basis,the relationship between external form and inner emotion in the rhythm of new poetry is demonstrated.The inner emotional rhythm of new poetry determines the external form rhythm of new poetry,while the external form rhythm expresses and beautifies the inner emotional rhythm.The two are dialectical and unified.relationship.In the creation and research of the rhythm of new poetry,the external form rhythm of the new poetry cannot be separated from the inner emotional rhythm,and the two should be unified.At the same time,in addition to the integration of the external form rhythm and the inner emotional rhythm,the overall grasp of the new poetry rhythm should be integrated into the creation and research of the new poetry rhythm.