The Theory Of Relationship Between Heart And Objects In The Chinese Ancient Poetics

The relationship between heart and objects is an important issue which has always been concerned about in ancient Chinese literary theory,and it is also an important issue that modern literary theorists often study.Some important theories in ancient Chinese poetics are carried out on the axis of surrounding material relationship.From the philosophical point of view,the theory of the relationship between mind and object originates from the thought of the unity of heaven and man in ancient China.The thought of unity of nature and man makes people not put the external things in the opposite position with the subject when they know the world,but seek the harmony and unity between the subject and the object.This view of cognition has been applied to the field of poetics,which makes many important theories of poetics show a state of blending of mind and substance.Material feeling theory,think that things feel people,talent has an impulse to create.Although the material sense has not correctly grasped the important position of the heart,it has found a reasonable starting point for the birth of literature and art.When the theory of sentimental material came into being,it made up for the deficiency of the traditional theory of material sense and touched the people.The development of heart is like a gift to love,and it reveals that when literature and art is born,the mind presents a two-way state of interaction.And the process of divine thought,which is the artistic construction theory,is actually the process of "God and things",and this process itself is the process of dealing with the relationship between mind and things.That is,the process of harmonious movement between the thought and emotion of the creative subject and the artistic representation obtained from the perceptual object.The result of this creative thinking is the creation of the inner image.As the result of the harmonious movement between the center of the thinking process and the object,the inner image itself is the existence of the blending of the mind and the object.As the theory of artistic expression,Fu Bixing theory,these three forms of expression are actually things of mind.The three different states of interaction,Fu is that the matter is the heart,than the heart in the matter first,the thing in the heart first.Finally,artistic creation has formed a great influence on artistic conception after the movement of objects and objects interacting with each other to the spiritual thought activities of God and things.Artistic conception,as a kind of aesthetic ideal,its basic requirement is to achieve the blending of situation and scenery.In fact,the blending of mood and scenery is the blending of heart and material.The creation of aesthetic artistic conception of the scene is an important index to evaluate the merits and demerits of the works.