The Chinese First-person Documentary Research On The Space Production And Value Construction

Space is the product of human social practice.The material and social attributes of space make it different from the general material production data.In the process of human society practice,we can often see the material space,and the psychological space and social space show the complexity of dialectical unity.The first-person documentary is a unique type of documentary that presents the values of personal expression.The recording of images shows the existence of human beings in spatial theology.The theory of "space production" provides us with a new research perspective.In the 20 th century,in the academic transformation represented by "space turn",space instead of time has become a new research hot spot in academic and ideological circles.As an interdisciplinary theory,"space production" is widely used in philosophy,sociology,architecture.In the field of literature,media geography,etc.,in recent years,it has gradually become a research hot spot in the field of drama and film.Space itself has multiple attributes,and research on documentary space production must use multiple perspectives.The first person documentary is a type of documentary with a personal tendency and an independent perspective.The scope of the creator's shooting is mostly limited to the private space related to “self”.The personal space is the epitome of public space.It is constructed between the individual and the society.The material basis of spatial relations.This article takes China's first person documentary as the research object.From the perspective of Lefevre's "space production",it takes the three dimensions of space practice,spatial representation and representation space of social space ternary dialectics as the starting point to deeply explore China's first person.How the documentary is produced in space,and what kind of humanistic value is constructed by different spaces while producing in space.On the basis of this,in the new media environment,the first person documentary in China is in the process of dissemination and acceptance.The impact of China's first-person documentary film development and the extension of human values.This paper mainly probes into the space production of China's first person documentary from three aspects.First,from the spatial form and characteristics,the spatial form of the first person documentary is different from the traditional traditional type of documentary.The first person documentary has the lens pair.The private space is approved,and the private space corresponding to the real space record of the image space practice is constructed,and the expression space of the personalized audiovisual language corresponding to the spatial representation is constructed,and the symbolic meaning corresponding to the space of the representation is social.The imagination of the space.At the same time,these spaces not only emphasize the joint narrative of the field of life and the presence of the body,but also focus on the self-reflection of the psychological space of the creative subject,and the unity of the space localization and information fragmentation of the narrative structure.Second,from the spatial production mode and value presentation,the private space presented by the creators in the first person documentary through the image is not only the expression of material space but also the space carrier carrying social and cultural significance.Material is a reflection of reality,and authenticity is the intrinsic property of the first person documentary.It is also associated with value.Reality is a kind of value judgment.The first person is also a kind of narrative based on the value position.It is itself The construction of a value stand.It is through the real interaction between "private space" and "public space".This paper analyzes the spatial production of the first person documentary from the perspectives of image space,body space,psychological space and social space,and finds that different spaces pass.Different production methods present different values.The first-person documentary uses private space as the basis of the documentary material space.Through the production and reproduction of the lens language,the image space constructed is the production place of meaning,blurring the boundary between private discourse and public discourse;subjective subjective participation in shooting and oral narration Narrative,the body space constructed is a bridge to self-reality;under the mirror relationship,through the inner transformation of the self and the other,the psychological space created by the final realization of the selfimage construction and the identity of the other;In social space,identity recognition is transformed into a sense of cultural belonging in collective memory.Third,from the dissemination of image production practice,although the lens space of the first person documentary is limited,the meaning of its expression is infinite.Documentary as the production place of image meaning,only the value can be transmitted to the audience to truly realize the human value of the work..In the new media environment,the flow of media into a first-person documentary provides a broader living space.The humanistic value of the first-person documentary will eventually be expanded in the spatial expansion of the diversified communication channels,through the secondary dissemination of social media.Extending,the social meaning of reviving private stories is infinitely magnified.As a part of society,individual development often has a certain effect and influence on the overall development of society.Recording the development and changes of society from a personal perspective can more closely link individuals with the development of the times.The creators of the first-person documentary in China provide a realistic view of the personal space as a cultural value construction of social space.The unification of the personality attributes and social values constructed by China's first-person documentary in private space is the integration and transformation of private space and public space.This is also the unique artistic and cultural value and social significance of the first-person documentary in China.