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Movie Space Under Spatial Field Of View

Posted on:2010-04-12Degree:MasterType:Thesis
Country:ChinaCandidate:W J ZhangFull Text:PDF
GTID:2155360275479857Subject:Literature and art
Abstract/Summary:PDF Full Text Request
This article is divided five chapters:The introduction,from the philosophy stratification plane elaborated that the enlightenment which to the space the Western space idea's evolution and the understanding,comb the people to know the difference which and bring,the full text take this as the elaboration premise;The first chapter,under the reference movie historical development premise,combs the movie space the evolution and the people to the movie space understanding limitation, then knows the movie space with the aid of the spatial sight.This article believed that says from the object,the modeling which and the object the movie space both includes in the movie to present the concrete scene which and the lens picture presents,and includes the direction entire which creates in the narrative process "the movie" the space,itself by no means sole object;From in-depth nature,the movie space is merely by no means homogeneous the vessel and pure psychic abstracting with the imagination,but is we the open existence which with the maker,the silver screen plane,the lens exchange produces. Because of so,this article according to this characteristic to induce and to divide the movie space and thought that the movie space contained the natural space,to present the space and the space produces three different level contents the existence.The second chapter the main discussion takes natural spatial the scene spatial narrative function.Elaborated the space separately "the viewpoint","the power","the clue" as well as dominant "the structure" the function,the explanation movie's space narrates.The author thought that will become the movie as the natural space's scene space to narrate gradually important narrates skillful and the narrative strategy.Movie's space narrates is the movie maker determination artistic creation and the pursue. Therefore the natural space is Uygur of the movie space narrative existence.The third chapter mainly elaborated the achievement to present spatial spatial image metaphorical and the symbolic function.The spatial image is "has by the determination the meaning form",has the unique psychic and the cultural property.Under the social linguistic environment's conformity,its function will surmount the movie story itself plot narration,has the deepened entire movie content implication and the function.The spatial image is the movie space rhetoric Uygur of load bearing.The fourth chapter,then mainly discusses the movie space production and the movie space esthetics shape.The author thought that any movie space is the production result, and presents diverse and the different movie space shape,but movie space shape value, then mainly concentrates discusses its esthetics characteristic."real" and "hypothesized" is the movie space esthetics shape two kind of essential features.This chapter also concrete study movie "The Matrix " the spatial production,thought that this movie space is "the hyperspace",its esthetics shape is "ultra real"."The Matrix " of "hyperspace" and "ultra real" characteristic,not only summarized the movie space uniquely "open" characteristic,in a sense in the future one of movie space development directions.In brief,this article from the surface layer object and in-depth nature,makes the related understanding separately to the movie space,then thought that the movie space is a multi-layered structure and the dimension opens wide the territory,its object and the nature are outside and inside mutually;And discussed the movie space under this angle of view to narrate thoroughly,the rhetoric function and esthetics shape,highlighted its value,confirmed it in movie's important position.
Keywords/Search Tags:Movie space, Space narrative, Spatial image, Space rhetoric, Space production, Esthetics shap
PDF Full Text Request
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