Research On Consumer Perception And Space Construction Of Local Cultural Performance Space

After the reform and opening up,China's economy developed rapidly.Under the impact and support of the globalization wave,the expansion speed of the urbanization movement was unprecedented and unprecedented,and the great leap forward development mode began to appear.As a result,the local context fault was faced with the crisis of distortion and even disappearance.The process of urban renewal and reconstruction under the planning of modern rationalism makes the local cultural space more and more homogeneous.Under the combined action of these factors,the research value of local cultural performance space is increasingly prominent.With the shift of the research perspective of new cultural geography,the research trend of cultural space is closer to the daily life practice,and the subjective perception of people has become the core content of the research of cultural geography.As a daily consumption space,Shanxi youth folk arts club is also a unique local culture performance space,in which locality and spatiality interlace,it is particularly important to analyze its spatial production process and clarify the relationship between them.This study selected green song social cultural space as a case,based on the column aspects.lefebvre three yuan space production theory and based on the related theory of emotional geography,exploring the consumer perception of "shan culture" space and identity,and on the basis of the green club local performance space construction,right deep insight into the main body,the power and the construction of the audience subject in space.In this paper,the semi-structured interview method and data analysis method are used to study consumers' perception and identification of the exhibition space ofShanxi youth folk arts club.Based on this conclusion,Suggestions are put forward for the space production of Shanxi youth folk arts club.Based on the imagination of physical space,consumers show different recognition of Shanxi youth folk arts club in different ways of perception.Consumers' perception of Shanxi youth folk arts club's cultural performance space is mainly represented by three core dimensions: entity space,cultural space and space subject.This study quantifies the perception of these three dimensions and concludes that consumers' recognition of local culture is the highest.According to lefebvre's ternary theory of spatial production,the exhibition space of Shanxi youth folk arts club is divided into spatial practice,spatial representation and theoretical model supported by spatial representation.As the main body of rights,operators construct the cultural space of Shanxi youth folk arts club from the aspects of performance content and media publicity.Government agencies and private enterprises also provide capital input.Finally,as an audience group,consumers conduct spatial practice on Shanxi youth folk arts club from five consumption purposes,including habit consumption,time consumption,activity participation,coming here for fame,and tourism derivation.The three groups represent the space in different ways,and finally make the culture of Shanxi youth folk arts club play out and reproduce.For individuals,as a leisure cultural performance space,the main spatial function of Shanxi youth folk arts club is to relieve pressure,relax body and mind,temporarily isolated from the outside space,and realize personal consumption interests.For crosstalk itself,it is a recreation of art;As for local culture,it is the inheritance and development of shaanxi traditional culture,which can not only promote the integrated development of traditional culture,but also drive the diversified development of modern urban leisure and entertainment.