| Chen Fang is both a famous calligraphy and painting artist and an aesthetic scientist in China.Since the eighties of last century,he has published the "Calligraphy Art Theory","Calligraphy Aesthetics Thought","Chinese Calligraphy Spirit","Call igraphy Beauty Discrimination" and other works,as well as "Calligraphy Beauty Time","Calligraphy speculation","Calligraphy reconsideration" and other anthologies,and also published more than 300 articles in various journals.Chen Fang has always been guided by Marxist dialectics,adhered to the aesthetic principle of "people-oriented",and gradually formed a unique academic thinking system.Chen Fangji’s academic achievements mainly include art aesthetics and calligraphy theory,and art aesthetics theory is an important part of his art aesthetics.His research on the beauty of calligraphy and the theory of calligraphy is based on his understanding of beauty and artistic beauty.At the same time,he combined the beauty of calligraphy with other artistic beauty to supplement the cognition of artistic beauty.Chen Fang expounded his understanding of the essence,form and image beauty of artistic beauty from the viewpoint of connection,development and dialectics,and emphasized that the subject cultivation is an important part of artistic beauty.His theory of artistic beauty not only has reference value to the study of contemporary artistic beauty and calligraphy beauty,but also has guiding significance to the practice of artistic creation.The thesis consists of eight parts.The preface mainly introduces the reasons,research status and research methods of Chen Fangji’s theory of "artistic beauty".The first chapter expounds the ideological origin of Chen Fang-ji’s theory of "artistic beauty",mainly from three aspects: his academic growth process,the academic background of the formation of artistic beauty theory and the ideological origin of artistic beauty theory;the second chapter is about Chen Fang-ji’s theory of the essence of artistic beauty,mainly from the essence of artistic beauty.The third chapter is the study of Chen Fang’s theory of artistic form beauty.The historical development of artistic form beauty,the expressive characteristics of artistic form beauty and the differences of the times of formal beauty are the main contents of this chapter.The fourth chapter is about Chen Fang’s artistic form.The discussion of the theory of image beauty mainly expounds Chen Fang’s understanding of the life rhythm contained in the artistic life image and dots and lines;the fifth chapter is the application of Chen Fang’s theory of "artistic beauty" in artistic appreciation,and his discussion of the artistic pursuit of "seeking elegance and avoiding vulgarity" and the aesthetic judgment of "ugliness" are all based on artistic beauty.The sixth chapter mainly analyzes the contemporary value of Chen Fang’s theory of artistic beauty.The last part of the thesis discusses the importance of Chen Fang’s theory of artistic beauty combined with his academic achievements. |
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