The Elastic Structure Study Of Chinese Piano Works Pi Huang Under The Aesthetic Perspective

Chinese piano works Pi Huang by Zhang Zhao formed the draft in 1995,participated in the first Palatino Piano Contest with the first prize in 2007,and completed and final draft in 2009 after modification.First creation of Pi Huang was the product with the technical integration of traditional opera plate type and western composition technology.It is the innovation in modern piano music history and also the new presentation of national music elements in piano.Throughout the studies on Pi Huang and Chinese works,scholars often analyze the music characteristics and performance analysis,but they seldom analyze the music from elastic structure.In order to greatly comprehend elasticity of the composer in Pi Huang,after briefly analyzing Zhang Zhao and his works,the author analyze the elastic structure of Pi Huang from music design of works,sound changes,music emotions and elastic disposal by sorting out literatures.The findings show that western musical form is intersected with Chinese plate style under the music framework and reaches a balance in unity of opposites.Restrained by music elements,new advances are made in old ones as creating music,revealing the Chinese pattern in a Chinese style.By controlling volume and simulating tone,features of Chinese musical instruments are restored to high limit in piano,revealing traditional Chinese style.Emotional changes reveal disciplines in works and embody Chinese philosophy with unity.Based on explanation of different composers on works and their comprehension on performance,variability and invariability of elasticity in works are revealed.In the music works,Zhang Zhao used the changeable mode to manifest Chinese traditional culture to perfectly integrate Chinese tradition with western music.