| China’s political and economic system has undergone great changes in the 20 th century,and the history of social and cultural changes has become richer.There have been many different female images in the film art.Taking yuan muzhi’s film works as an example,the creation of female images based on the unique artistic concept enables the sustainable development of Chinese film art.Chinese films of 1930 s,showing people’s real feelings,life concepts and ideological consciousness,and deeply showing the problems of human nature.The female images are divided into internal and external aspects.The depiction of female images in yuan muzhi’s works is quite unique.Based on the unique creation concept,it presents many classic female images to the audience.Zhang xiaoyun in "urban scenery" is extremely vain.As an intellectual woman,li lilin in the peach and plum robbery met a tragic fate.These classic female images have left a deep impression on the audience.This paper is mainly composed of the following parts:The first chapter is the introduction part,which briefly introduces the life of Yuan Muzhi and the formation process of his artistic concept,and expounds the research significance and research status of this subject in detail.It further outlines Yuan Muzhi’s creative philosophy as a theatrical artist and the significance of studying the female image in his works.The second chapter emphatically analyzes its ideas of audio-visual language based on realism,and makes a concrete explanation of the ideological achievements,artistic connotations and ornamental values that exist in his works.This chapter is used as a foreshadowing of the analysis of Yuan Muzhi’s female concept in the whole article.The third chapter explains the way women are written in the 1920 s and 1930 s,and makes a general classification of all the female images he has created.After that,it makes a detailed interpretation of the representative figures of each category of women based on the film and the text.The fourth chapter exists as an extension of the third chapter,and it focuses on excavating and summing up the female concept of Yuan Muzhi,and clarifies his pursuit and expression of female identity and the complex concept of women existing in his creative ideas.The fifth chapter explains in detail the relationship between the female concept of Yuan Muzhi and the theme of the film,the dark side of the city and the situation of women’s discourse as the summary and sublimation of the full text,and it gives inspiration to the contemporary domestic filmmakers for this concept of creation. |
