Study On The Female Image In Yuan Dynasty Tomb Murals In Inner Mongolia

Yuan Dynasty is a special period of domination by the minority is a major multi-ethnic cultural exchange integration period collision. Mongolian Yuan dynasty rule, although less than a century, its influence is extremely vast and intense. This effect, as was a representative form of art-drawing tomb murals can be seen. According to archaeological records and literature, painting remains of the Yuan Dynasty legacy more scarce, and more present in the tomb murals, stone caves and temples, the removal of surviving more, higher levels of traditional religious themes mural, the tomb murals drawn folk customs the most common form of murals spread, reflected the specific burial concept, unique ethnic customs and social aesthetic fashion.Female artistic image is the geographical, cultural, age and other development tendencies microcosm, geography, history, and religion are the main factors influencing the formation of the aesthetic ideas of an era, while both external factors and internal factors. External factors include the nation's survival of the natural environment. Internal factors are specifically referring to the way of thinking, religious beliefs, moral psychology, cultural background. These factors, but also through various forms of art image detail reflected. Throughout the Yuan female image research, monographs and research specific to the Tomb Frescoes in the northern region for the study of female image interpretation are rare.What previous studies in the discussion of the image of women in minority groups, mostly concentrated focus on its overall impact on the historical process, or specific aspects of life in the role of fixed roles, routine discussion of the female images are mostly confined to women in society marriage morphology, chastity concept, etiquette rules discussed in general, few people will be the tomb of the female image as a whole study, the causes of its image as well as internal factors reflect the nation. Therefore, the study of the Female Images in the Yuan Dynasty tomb murals, it is necessary to place it on a specific background, the main picture in kind, using multiple macro comparative analysis, not limited to the image itself, a multi-faceted language arts, fine arts and archeology, history, combined with a broad vision, re-interpretation of its depth. Therefore, we choose in writing many Mongolians and Han tomb appeared image of women is typical of the Yuan Dynasty, and compare contrast, aims to analyze the different tomb murals, the female characters reflect the aesthetic ideas and customs and rituals at the same time, confirmed its influence each other, Rules of Nations Amalgamation each other learn, from the shape, composition, color, costumes aesthetic implication of other aspects of female image Reasons to supplement vacancy related Yuan Dynasty tomb murals female images research in the field of in order to better provide some inspiration and reference for other related research.In this paper, the female image in Yuan Dynasty Tomb Murals in Inner Mongolia as the main object of study. To be divided in accordance with the characters and typical area of the tomb, the tomb murals of its position in the layout, theme appearing in content, identity hierarchy reflected, and in the tomb has a ritual function and unique Mongolian Yuan Dynasty lifestyle, customs and other characteristics as a starting point, and contact its tomb murals drawn under the specific conditions of the characters involved in the color, clothing and other aspects of a comprehensive analysis of generalization, in-depth interpretation of this period tomb murals Women characteristics and Causes of characters formed.