Mountain God Research In Shan Hai Jing

In recent years,there are not many researches research the mountain gods and mountain ceremony about Shan Hai Jing.Many studies only analyze the text from the perspectives of exegesis,religion and sacrificial ceremony.The author rarely discusses the origin of the systematic and regularized description of mountain and mountain god behind the text.From the perspective of mountain god and through the analysis of the content of mountain god in the book of Shan Hai Jing,I prepare to discusses the author behind the text based on what considerations to construct such mountain god system.The first two chapters start from the records of mountain gods in the book of Shan Hai Jing,especially the mountain god image,the mountain ceremony and the fairy tales and I have sorted them out of two parts: the part of sacrifice and the text part.In addition,I also analyzed and summarized the geographical distribution,divinity,quantity,divinity and mythology of mountain gods.The mountain gods of the "sacrifice" mainly describes the mountains in the view of "the world" from the perspective of "ritual".Here,the image of mountain god is mostly shown as the appearance of half-man and half-beast,which is a manifestation of the animal totem worship of tribal groups.However,the essence of the image of its mountain god is a kind of "sacrifice the corpse of mountain",which is a kind of dressing for the appearance of mountain god,so that the god can descend on it to better communicate with human and god and offer sacrifices.This paper analyzes and summarizes the sacrifice of mountain gods in the five directions of south,west,north,east and middle from the perspectives of sacrifice,sacrifice methods and ritual items.These mountain gods include common mountain gods and special mountain gods.And There sacrifice not only has the rank high and low,but also has the obvious regional characteristic.The mountain gods in the text mainly focus on the perspective of "myth" and record the stories and myths of mountain gods in the two regions of "xishan jing" and "zhongshan jing".The mountain gods in this region are mostly represented by the image features of alien and combined structure,which is the embodiment of the primitive mythical thinking.Although there is no mountain god worship,but the godhead of them is more outstanding,have mountain god of "emperor" series,mountains and rivers,signs of the carrier and ordinary mountain god.Compared with the flat and single summary of the image of the mountain god and the sacrificial ceremony of the "sacrifice",the static or dynamic description of the mountain appearance,story and myth in the body part is more three-dimensional and diversified.The last part of the article is the focus of this article.This paper makes an in-depth analysis and research on the content and form construction of mountain god system in Shan Hai Jing from the perspective of space-time dimension and ideological dimension.The shrine ritual system mainly from space span mountain a ritualized construction on the mountain,and these ritualized mountain system is actually a kind of identity and consolidate the state power rule symbols,continuous space confirmed the four corners of the geographic marks,specifications every mountain's mountain god worship,its purpose is to establish the rule of bringing order and standardization area within a country,and through the mountain god worship on the religious beliefs and strengthen people's ideology.In addition,the distribution,at the time of the western hills "and" zhongshan sutra area is part of the mountain god system the author consciously and purposefully selected widely circulated in the population and the impact on memory,and carries on the reconstruction and replication,and finally in the center of the huaxia culture view and plane arrangement of the narrative structure formed under the influence of the "zhongshan classics" as the center to the nan shan jing,xishan jing,the beishan jing and the dongshan jing,sifang mountain system.