| From "Fu zao"(1987)to "Shan ben"(1993),Jia Pingwa began with a novel,in short,he benefited from his sensitive response to the pain that was inevitable in the "transformation" era."Shang Zhou"(1987)"Ren shen"(1988)is certainly not the exception;Then,"Bai ye"(1995),"Tu men"(1996),“ Gao lao zhuang”(1998).The Chinese characteristics of the dualistic society of the city and the township have undoubtedly been comprehensively considered by Jia Pingwa.In the new century,Jia Pingwa is devoted to the management of a novel,with a strong style and a strong spirit,and flourishing the world,"reality" and "history" together,and looking for and looking back on it.The rise of the nation and the great rewards of narrative in the continuous collision and fusion of the hundreds of years have been achieved.Among them,“Qin qiang”(2005),“Dai deng”(2013)and “Ji hua”(2016)changed sharply,which expanded the local narrative of his "Fu zao"(1993)from “Gao lao zhuang”(1998)and Pattern.However,like “Gu lu”(2011,)“Lao sheng “(2014)and “Shan ben”(2018),whatever the specific time "node" is intercepted,the open vision of China has been examined for a hundred years.It is obvious that the revelation of the local narrative style has increased the content of epic poems."Huai nian lang"(2000),"Bing xiang bao gao"(2002)and "Gao xing"(2007)escape from the local narrative,whether "subject matter" is taken away,or "pushes the narrative".All the above texts provide sufficient exploration and reference for the above texts.Generally speaking,the "good story of China" melted in the daily life of "soup water" is closely related to Jia Pingwa's unique "epic".The bored "landscape" and the massive "violent" clash,if the theory shows the "vicious" side of the narration,it is not only on the "floating" and "simple".The shortcut of intoxication in the narrative of "realism and reality".This paper is intended to explore the fresh vitality and infinite possibility of Jia Pingwa's instillation into the Chinese local narrative. |
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