Research On The Construction Of Aesthetic Value Of Documentaries On Rural Themes

From the major historical mission of building a new socialist countryside proposed at the fifth plenary session of the sixteenth central committee of the communist party of China to the goal of building a beautiful countryside proposed at the 18 CPC national congress,and then to "implement the strategy of rejuvenating the country" put forward at the 19 th CPC national congress,the system of constructing a new socialist countryside is mature day by day,which means that the concept of rural construction and rural governance from our state and government continues deepening.It is the development goal of rural construction in the new era to promote the economic,ecological and cultural revitalization of rural areas and attach importance to the inheritance and protection of traditional culture.As a carrier of culture,documentaries on rural themes are of great significance in recording,participating in and promoting rural revitalization.China's history originated from the agricultural civilization,and the countryside,for China,was the foundation of the whole society,and the countryside is also the birthplace of Chinese civilization.The documentary on rural themes has witnessed the process of urban-rural integration in China.Based on the principle of authenticity,it shows the real events in the countryside with the lens,reflecting the natural scenery,human customs and historical traditions of the countryside,as well as the changes of the countryside under the conflict between urban and rural areas and the reflection on the fate of individual characters.In the documentaries of rural themes,such problems as the stigmatization of rural areas,the lack of rural memory,the misunderstanding of modernity,and the unitary aesthetics of rural areas are reflected.In order to solve the current practical problems and rebuild the aesthetic value of the documentaries of rural themes,the documentaries of rural themes bear certain social responsibilities.This paper starting from the definition and characteristics of rural theme documentary film,through the research on related films and television shows,to explore rural theme documentary aesthetic myth,analysis rural theme documentary film the aesthetic image,so as to explore the rural theme documentary film the aesthetic value of construction.This paper adopts four methods,that is,literature research,case analysis,comparative analysis and field investigation to study the construction of aesthetic value on the basis of analyzing and studying a large number of documentaries on rural themes.This paper is divided into four chapters on the construction of aesthetic value of rural documentaries.The first chapter is about the definition and characteristics of the documentary on rural themes.The narrative theory,aesthetic image theory and differential order pattern theory are analyzed.This paper defines the concept of the aesthetic value of documentaries on rural themes and analyzes the theoretical basis of this paper.From the theory of narratology to the theory of post-classical narratology and the connotation of Wendelban's aesthetic theory,this paper discusses the influence of Fei Xiao tong's differential order pattern theory on the social structure of rural areas in China.The second chapter studies the aesthetic errors of the rural documentaries.This paper comprehensively analyzes the aesthetic dilemma of the documentaries on rural themes from three aspects: hardship narration and the plight of the bottom,memory loss and identity dislocation,urban and rural confusion and modernity misunderstanding.In the aesthetic problems of the documentaries on rural subjects,the narrative of suffering and the plight of the bottom are shown through the image of "narrative of suffering" in Chinese villages,the image of vulnerable women who survive in the gap,and the ethical problem of "stigmatization" of villages,which reflects the bitterness and helplessness of the bottom society.Memory loss and identity dislocation are shown through three aspects: the indifference of rural memory,the disappearance of folk literature and art,and the different interpretation of national image,which reflects the loss of rural memory and the different interpretation of national image in the eyes of others.The modern rural ecological crisis,the rural "urbanization" reconstruction and the stereotypical "Well-off society" mode form the urban and rural confusion and modernity errors,resulting inthe construction of the image of rural urbanization in the context of the lack of ecological concept,expression,the formation of aesthetic deviation and simplification of the problem.The third chapter analyzes the presentation of aesthetic images in the documentaries on rural themes.Starting from the four aspects of individual image,home image,cultural image and national image in the documentaries on rural themes.Among them,the individual image reflects a kind of group image of the people with exception as well as helplessness in the countryside,the group image of the people who left their hometown to pursue their dreams and wander without any support,and the group image of the people who return to their hometown due to failing to pursue their dreams.Home image,through the poetic pastoral,lost countryside and the revival of the home garden,shows the whole change process from the rural original harmonious beautiful landscape,the annihilation of culture and villages,cultural revitalization and ecological beauty of the countryside,through clan culture,folk culture and regional culture,the cultural image shows the root and pulse of local culture,the inheritance and soul of local tradition,the diversity and prosperity of local culture.The presentation of national image from the three national image levels of traditional image,exploration image and contemporary image,shows the national image characteristics of macro narrative and diverse embodiment of the nation,the voice of the bottom and the record of reality,the integration of mainstream values and rural revitalization,and the national image characteristics of different stages of development.The fourth chapter studies the construction of aesthetic value of the countryside documentary by combining with the concrete documentary.The aesthetic value of the documentary on rural themes is constructed by living,ecological and cultural pastoral together.In the process of constructing the idyllic aesthetic value of life,a more realistic modern rural society is expressed through the three-dimensional record and description of rural life,the shooting of original ecological lens and the narrative technique of story-telling.The pluralistic expression of the character image forms the correct ethical and moral value.On the basis of respecting the objective facts,the self-expression of the bottom character is carried out.Documentaries should create the independent and free female images in the new era instead of giving the stereotypical female subject images.By comparing Built-in-system and independentdocumentaries,we can establish a common memory space,form the identity of national culture,and obtain the identity of others for the national image.In the construction of ecological pastoral aesthetic value,we should deeply understand the development concept of beautiful countryside,understand the life concept of new pastoral,pay attention to the green pastoral production mode,combine with the construction and protection of rural ecology,and follow the construction of pastoral landscape integrating nature and man.When it comes to the construction of pastoral aesthetic value of culture,the cultural reconstruction of rural memory,the protection of folk literature and art,and the pursuit of the origin of rural memory.We should continue the social inheritance of rural culture,integrate homesickness culture into rural memory,construct the sense of belonging of culture,and promote the construction of new rural culture.Through the analysis of self-image and the image of others,the author shows the self-shaping and the image of rural China,and creates the image of rural China with the mainstream values of China.The concept of rural life,production,culture and ecology will be integrated into rural life,production,culture and other aspects,so as to achieve the sustainable development of rural life,ecological pastoral and production in rural society.Based on the aesthetic value of rural theme documentary research,the exploring the construction of the rural theme documentary aesthetic system,and placing it in history and reality,cities and villages,the production and life,economic and ecological landscape,the passage provides a meaningful exploration and policy support for better representing the rural landscape,participating in rural revitalization and promoting the new rural construction.