The Success And Failure Of Wang Hui's Views On The Succession Of Mountains And Waters From The Perspective Of Art History

Wang Hui is the only professional painter in the "Four Kings of the Early Qing Dynasty".He has become a master of landscape paintings with his profound brush and ink skills.In the early Qing Dynasty.Wang Hui enjoyed a very high status in the painting world and was hailed as the "painting sage" by the world.Wang Hui created a large number of beautiful and vigorous works,which promoted the development of landscape painting in the Qing Dynasty and had a profound impact on the paintings of later generations.The period of the New Culture Movement triggered an art revolution.The new trend of thought believes that we need to improve Chinese painting but firstly we have to "reform the life of King of Painting." This theory shows the doubt and negation of traditional Chinese painting,which has tangibly promoted the development of Chinese fine art creation in the dispute of the traditional culture of the New Art Movement.The remarks generated in this era are inevitably limited.Review on inheritance history of Wang Hui's landscape painting.we can see that he is not worthless.There are indeed self-contained artistic expressions in his painting thoughts,which have both limitations and indescribable contributions.Under the premise of different cultural background,there will be different ideas,so we should objectively and comprehensively evaluate Wang Hui.This paper analyzes the origin of Wang Hui's view of landscape inheritance through Wang Hui's painting activities,and deeply understands the formation,development and impact of Wang Hui's view of landscape inheritance.In view of previous scholars' different opinions on Wang Hui's painting concept,this paper aims to objectively evaluate Wang Hui from the perspective of art history.There is no mistake in worshiping the ancients.It is not necessary to love the ancients.