Research On Calligraphy Art Of "Zhan Guo Zong Heng Jia Shu"

In recent years,many people have focused on the "second writing" of inscriptions,bricks and tiles,bronze inscriptions and so on.The excavation of bamboo and silk has brought a new face to calligraphers,which can make people directly feel the face of calligraphers in Han Dynasty.The purpose of this paper is to make a detailed analysis of the strokes,structure and composition of the book,so as to study its font characteristics and the significance of calligraphy history.The author mainly uses the comparative method to analyze the comparison of different styles of calligraphy before and after the Zhan Guo Zong Zong Jia Shu in the aspects of stroke,structure and organization,and makes it clear that the former is embodied in the vigorous and resolute ancient Li characteristics,while the latter is embodied in the gentle and mellow Zhuan Li characteristics.It also analyzes the reasons for the formation of the style of calligraphy,including the benevolent government in Han Dynasty,which provides a good social background for the transformation of the style of calligraphy and promotes the development of the style of calligraphy.At the same time,the paper analyzes the rules of the changes of strokes and structures in the book,which has a good guiding role in learning the calligraphy characteristics of the silk book.In addition,the author focuses on the comparison and analysis of the style of ancient Lishu in the book of the Zhan Guo Zong Zong Jia Shu and the representative works of zhuanli and Hanli in the silk book,in terms of stroke,structure and composition,to make clear that the style of "natural neutralization" in the silk book is between zhuanli and Hanli,and the strokes have basically unique morphological characteristics,and the traces of clerical change are relatively mature,compared with Hanli However,it also adds the characteristics of vertical and horizontal desire to pull out and Shulang nature;There is a certain degree of standardization in the structure,while the more mature Han Li square and standardized structure shows the characteristics of vertical and horizontal variety and the book following the nature;in terms of the constitution,it enhances the dynamic trend of the overall unity of the upper right in the simple nature,and at the same time,the stretch on the strokes and the density contrast on the structure make the sense of rhythm stronger,which is more reflected in the rational arrangement compared with the Han Li constitution Interspersed with scattered,vertical and horizontal dense perceptual characteristics.At the end of the paper,the author combs two different ways of learning and using for reference in the contemporary book style,advocates the innovation and development of learning from Chen songchang,etc.,avoids mistakes in the process of learning books,and straightens out the attitude of learning books.At the same time,it combs the different ways of expression of calligraphy innovation one by one,combines with its own creation practice and integrates the characteristics of different calligraphy styles,so as to seek new ideas in calligraphy creation and add bricks and tiles to the innovation and development of calligraphy.