The Study Of He Zhen Dai

As the last representative of Min School of Tong Guang School in late Qing Dynasty and beginning of People's Republic of China,the achievement of He Zhendai's poetry?ci?article have not attracted enough attention.The purpose of this article is to discuss He Zhendai's contribution in poetry,articles,and ci,focusing on analyzing how his poetry became self-styled in the Min School in the late Qing Dynasty.In addition,analyze his contributions in calligraphy,painting,articles,and ci,and local history.First of all,He Zhendai's poems are taken from the method of Song poetry,but they are not commonly used in allusions.They are not difficult and often circulate in Tang and Song styles.His early poems often had cold images,which come from the Zheng Xiaoxu's Qingcang style.Later,the lyric of scenery emphasized long-distance,and addicted to Buddhism,the poetic realm was pure in the clear.Secondly,He Zhendai's poetry does not have a magnificent view,but the Qingcang style is used to the extreme in the scene,making his poetry unique.In the end,as the last representative of Min School of Tong Guang School,with He Zhendai's passing,it marked the end of an era.The origin and climax of Tong Guang School have always been the focus of research.But the end of Tong Guang School,the study of the last group of poets,is also a landmark in late Qing Dynasty and beginning of People's Republic of China.This thesis will analyze the poet and his poetry in three chapters.The first chapter summarizes He Zhendai's family,life and friends through literatures such as poetry and diary.The second chapter summarizes his poetic style through his life and poetry creation.According to the subject,it is divided into four specific expositions.Among them,the poetry in paintings is a highlight of He Zhendai's poems.The third chapter is a brief discussion about other works of He Zhendai.