Study On The Erhu Performances Of Chinese Minority Musical Compositions

China is a pluralistic and unified multi-ethnic country.In the process of national and social development,minority music has shown a rich and diverse trend.Throughout the civilization history of the Chinese nation for thousands of years,a large number of musical works of various ethnic minorities in our country have come out,forming a diversified national music culture and a constantly improving ethnic music system,which has a huge impact on the development of world music..Since modern times,a large number of composers and performers have begun to pay attention to the selection and use of minority music,select materials from minority music as the basis,and have created a large number of outstanding minority music style erhu works that have been passed on to the world.The purpose of this article is to study ethnic minority music styles,elements,performance techniques,and emotional expression,and to study the ethnic minority music styles,characteristics,techniques,and emotional expression of Mongolia,Xinjiang,and Yunnan.Innovatively focusing on the music styles and techniques of ethnic minorities in different regions,the focus is on the analysis of style characteristics,technique application and emotional expression in Mongolian,Xinjiang,and Yunnan works.After the above investigations and analysis,personal research conclusions and reflections are drawn To provide new ideas for the development of ethnic minority music styles and performance techniques in China,and to provide certain help for the future development of erhu performing ethnic minority style music.